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Emma Rayder

Emma Rayder

Emma Rayder is a freelance writer based in New York City by way of Virginia. She loves engaging with up and coming artists and exploring how music affects our perception of the world around us. She had been featured in Teen Vogue, Byline Magazine, and Atwood Magazine.

Fontaines D.C. © Theo Cottle
Features, Interviews, MusicOctober 30, 2024<October 30, 2024

Interview: Fontaines D.C. Drummer Tom Coll Talks Dracula, Dystopian Films, and Irish Trad Music

The Cure's Robert Smith © Sam Rockman
Columns, Music, Today's SongOctober 2, 2024<October 2, 2024

“This is this end of every song we sing”: The Cure Dabble in Miracles & Meaning With New Single “Alone”

Fontaines D.C. 'Romance' © Theo Cottle
Music, Reviews, Track-by-TrackSeptember 6, 2024<September 6, 2024

‘Romance’ Makes the World Go ‘Round: A Track-by-Track Look at Fontaines D.C.’s Fourth Studio Album

Amy Shark 'Sunday Sadness' © 2024
Features, Interviews, MusicAugust 19, 2024<August 19, 2024

Interview: Sundays Are for Amy Shark

Lorde 'Melodrama' © 2017
Columns, Music, Nostalgia TracksJuly 18, 2024<July 18, 2024

Nostalgia Tracks: Diving into All the Glamor and the Trauma of Lorde’s ‘Melodrama’

Cecilia Castleman © David O'Donohue
Artist to Watch, Features, Interviews, MusicJune 5, 2024<June 5, 2024

Interview: Nashville’s Cecilia Castleman Is Raw, Unfiltered, and Definitely Not Viral – Yet

Joywave 'Permanent Pleasure' © Grant Spanier
Features, Interviews, MusicJune 3, 2024<June 4, 2024

Joywave Are Becoming ‘Permanent Pleasure’: Daniel Armbruster Discusses the Band’s Latest Album, Decision Fatigue, & Cats in Sunbeams

Winnetka Bowling League © Paige Sara
Debut, Features, Interviews, MusicMay 31, 2024<May 31, 2024

Interview: Matthew Koma Talks Astrology, Context, & Winnetka Bowling League’s Debut Album, ‘Sha La La’

Friday Pilots Club © Kate Liddy
Debut, Features, Interviews, MusicMay 17, 2024<May 17, 2024

“Can We Pause Right Here?”: Friday Pilots Club Discuss Compromise, Criminal Careers, & Their Debut Album ‘Nowhere’

All Born Screaming - St. Vincent
Music, ReviewsMay 8, 2024<May 8, 2024

Album Review: With ‘All Born Screaming’, St. Vincent Reveals More of Annie Clark – And We Like Her a Lot

No Doubt's standout performance during weekend two of Coachella 2024 shows that, 30+ years later, the band's chemistry is still very much intact.
Concerts, Festival, Music, ReviewsApril 25, 2024<April 25, 2024

“We are absolutely in the future right now”: Underneath It All, No Doubt Are Still Hella Good

Heddy Edwards © 2024
Features, Interviews, MusicApril 11, 2024<April 11, 2024

Inner Worlds & John Hughes Movies: Heddy Edwards Wants to Show You Her Teenage Bedroom

King Isis © Gianni Gallant
Features, Interviews, MusicMarch 28, 2024<April 11, 2024

Shedding Old Skin: King Isis Talks Grunge, Shadow Work, and Breakthroughs on New EP ‘shed’

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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