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Emma Schoors

Emma Schoors

Emma Schoors is a Los Angeles-based music journalist specializing in artist interviews and live show coverage. Find her on Instagram @eschoors or Twitter @emmaschoors.

Jerry Cantrell © Emma Schoors
Concerts, Music, ReviewsAugust 28, 2025<August 29, 2025

Live Review: Jerry Cantrell Immerses Anaheim in the Damning Beauty of ‘I Want Blood’

Sun Room © Kaden Morris
Interviews, Music, Music Videos, PremieresAugust 12, 2025<August 12, 2025

Video Premiere: Sun Room Find Cohesion in Chaos with “On Fire”

My Chemical Romance © Lindsey Byrnes
Concerts, Music, ReviewsAugust 9, 2025<August 13, 2025

Live Review: Reveling in My Chemical Romance’s Opera and Overjoy

j solomon © Peter Suski
Interviews, Music, Music Videos, Premieres, Track-by-TrackJune 24, 2025<June 24, 2025

Video Premiere: Spitting Blood & Seeing Stars with j solomon’s “RUBBER BAND”

The Killers take a bow for the last of their Caesars Palace residency shows in Las Vegas © Chris Phelps, January 25, 2025
Concerts, Music, ReviewsFebruary 6, 2025<February 6, 2025

Live Review: Making a Hot Fuss in Las Vegas With The Killers

Duff McKagan © Emma Schoors
Concerts, Music, ReviewsNovember 15, 2024<November 15, 2024

Live Review: Celebrating Love, Attitude, & Tenderness with Duff McKagan in Los Angeles

Bon Iver 'SABLE,' © 2024
Music, ReviewsOctober 28, 2024<October 28, 2024

Review: On ‘SABLE,’ Bon Iver Carves a Triptych of Truth

Catfish and the Bottlemen © 2015
Music, ReviewsSeptember 14, 2024<September 15, 2024

Looking Out from Catfish and the Bottlemen’s ‘The Balcony,’ a Decade On

Bad Nerves in LA © Miranda McDonald
Concerts, Music, ReviewsSeptember 12, 2024<September 12, 2024

“Leave It All at the Door, I’ll Show You”: Setting Los Angeles Alight With Bad Nerves

Def Leppard's Joe Elliott © Steve Thrasher / SoFi Stadium
Concerts, Music, ReviewsAugust 27, 2024<August 27, 2024

Live Review: Def Leppard, Journey, & Steve Miller Band Rock Inglewood’s SoFi Stadium

Recent Posts

  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
  • “None of us are free until all of us are free”: Rick Alverson & Emilie Rex on Making ‘Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers’ December 17, 2025
  • “It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’ December 17, 2025
  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
  • “We Have Fun, and That’s It”: Underbrook Are on the Way Up With ‘Was Happiness Too Boring for You?’ December 16, 2025
  • “Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch” December 16, 2025
  • Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens! December 15, 2025
  • Atwood Magazine’s Top Artist Discoveries of 2025 December 15, 2025
  • “It’d Be So Tragic to Give My Life to Static”: LA’s Dutch Interior Pay Homage to Music’s Beauty & Power on the Soul-Stirring “Play the Song” December 15, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Our Take
    • Debuts
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    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • Get Involved
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