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Hermione Kellow

Hermione Kellow

Hermione is a twenty-something year old student, currently reading Music at Cambridge University where she is also President of the main University Orchestra. Having grown up surrounded by Music spending her early years backstage of theatres, she has maintained a lifelong passion for live music and discovering new, exciting Artists. Having studied classical Violin since her early years, Hermione has always been involved in musical performance and has an eclectic taste ranging from post-punk to experimental classical music. Hoping to pursue a career in A&R and music journalism, Hermione is always on the lookout for music that is interesting, fresh and a bit wacky!

The Great Escape Festival 2019
Festival, Music, ReviewsMay 27, 2019<June 5, 2019

Ones to Watch from The Great Escape Festival 2019

Everything Not Saved Will Be Lost - Part 1 - Foals
Music, Reviews, Track-by-TrackApril 5, 2019<April 5, 2019

The Long-Awaited Return of Foals: A Band Who Only Get Better with Age

Melody's Echo Chamber © Diane Sagnier
Music, ReviewsFebruary 26, 2019<February 26, 2019

Review: Melody’s Echo Chamber’s ‘Bon Voyage’, a Psychedelic Journey of Human Struggle & Self Reflection

Sam Fender © Jack Whitefield
Columns, Music, Today's SongJanuary 28, 2019<January 25, 2019

Today’s Song: Sam Fender Hits a Lyrically Poignant Sweet Spot in “Poundshop Kardashians”

OLIVIA © 2018
Columns, Debut, Music, Today's SongDecember 19, 2018<December 19, 2018

Today’s Song: OLIVIA’s Assured and Exciting Debut “Reason to Stay”

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Recent Posts

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  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
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  • Today’s Song: The Barons Channel the Strength of Authentic Human Interaction in “Way Out” December 17, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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