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Jonny Shapiro

Jonny Shapiro

Jonny is a wide-eyed yuppie looking for inspiration from his couch. When he's not in the pits of Corporate America, he's doing his best to sit down and write anything he can. Short stories, album reviews, drunk texts. Jonny graduated from the University of Wisconsin-Madison with a B.A. in Economics and sweet, sweet memories of his freshman year band, Space Curtain. Jonny started writing for Atwood Magazine in 2020.

Lady Clementine’s Fantastic Party © Nicole Hernandez
Music, PremieresMay 29, 2020<May 29, 2020

Premiere: Lady Clementine’s Fantastic Party Explores the Fog of the National Ethos in “American Dream”

Pixies © 1980s
Columns, Music, Nostalgia TracksMay 14, 2020<May 14, 2020

Nostalgia Tracks: Riding Pixies’ “Wave of Mutilation” for a Summer, 20 Years Later

King Princess © Vince Aung
Columns, Music, Today's SongMay 4, 2020<May 4, 2020

Today’s Song: King Princess Makes Her Choice with “Ohio”

Recent Posts

  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
  • “We Don’t Make Content”: Sunday Mourners Understand Rock and Roll Is Art October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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