• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Josh Bloom

Josh Bloom

Josh Bloom published his first newsletter before the age of ten, written using the next-door neighbor’s typewriter, copied with carbon paper, and distributed to mailboxes on his bicycle. One of Josh's first stories was an obituary of comedian John Belushi. Strange for a ten year old? Yes! Josh's writing today is governed by deadpan sarcasm that goes granular on cultural topics that  he is deeply curious about. Read more of Josh's writing and visit him at superjews.com.

Sharon Van Etten & The Attachment Theory
Music, ReviewsFebruary 7, 2025<February 7, 2025

Rock Star Power and …Seinfeld?: A Candid Review of ‘Sharon Van Etten & The Attachment Theory’

Lauren Mayberry 'Vicious Creature' album art © Charlotte Patmore
Debut, Music, ReviewsDecember 9, 2024<December 9, 2024

CHVRCHES Frontwoman Lauren Mayberry Looks to Break Away from the Boys on Her Solo Debut, ‘Vicious Creature’

Father John Misty 'Mahashmashana' © Ward & Kweskin
Music, ReviewsNovember 22, 2024<November 22, 2024

Father John Misty Knows Which Side of the Record His Album ‘Mahashmashana’ Is Buttered On

Recent Posts

  • Editor’s Picks 157: James Smith, Fenne Lily, Rowena Wise, Alex Izenberg, Essence Martins, & The Army, The Navy June 11, 2026
  • “Desire Me”: A Pride Month Essay by Boy Blu June 11, 2026
  • “How Much Can You Divide Time?”: Gerrard Splits the Present Open on ‘ii. How Many Seconds in a Moment?,’ a Genre-Melting Debut of Memory, Rupture, & Release June 11, 2026
  • “Panic Attack, I’m an American Psycho”: verygently Sing Through Love’s Withdrawal on “STRONGER THAN THAT,” a Smoldering Indie Folk Reckoning June 11, 2026
  • Live Review: Slayyyter Cranks Governors Ball into a Campy, Gag-Worthy Pop Frenzy June 11, 2026
  • Answering the Longing: Bedouine’s ‘Neon Summer Skin’ Holds Home in Every Beat June 11, 2026
  • Atwood Magazine’s Weekly Roundup: June 10, 2026 June 10, 2026
  • “So Alive and So Divine”: Basement Seize the Moment on “Time Waster” June 10, 2026
  • “I Feel Everything”: Cherry Bomb Claims Her Own Salvation on “Sorry You’re Not Sorry,” a Feverish Disco-Pop Exorcism of Guilt, Glamour, & Release June 10, 2026
  • “Couldn’t Love Myself the Way That I Loved Him”: Big Guy & The Very Large Men Bring Hidden Love Into the Light on “Only Sin,” an Achingly Beautiful Acoustic Reckoning June 9, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services