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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Slow Readers Club © Liam Maxwell
Columns, Music, Today's SongNovember 20, 2024<November 20, 2024

“Stand tall, show no fear”: The Slow Readers Club Channel Angst, Urgency, & Hope into “Technofear,” an Anthem Born of Modern Chaos

KAIRO © Léo Joubert
Debut, Features, Interviews, Music, Track-by-TrackNovember 19, 2024<November 19, 2024

Track-by-Track: KAIRO’s Fresh, Energetic, & Unpredictable Debut Album, ‘ARE WE THERE YET?’

Never Ending Fall © Austin Cieszko
Columns, Music, Today's SongNovember 18, 2024<November 18, 2024

“Born to be young and reckless”: Basking in the Heat of Never Ending Fall’s Cinematic Heartbreak Anthem “ISABEL”

Chalk © Aaron Cunningham
Columns, Music, Today's SongNovember 15, 2024<November 15, 2024

Today’s Song: Belfast Trio Chalk Unleash a Combustible Post-Punk Storm in “Tell Me”

Only Music Makes Me Cry Now - Becky and the Birds
Debut, Features, Interviews, Music, Track-by-TrackNovember 15, 2024<November 15, 2024

Feature: Becky and the Birds Embodies Creative Freedom on Her Breathtaking Debut Album ‘Only Music Makes Me Cry Now’

Bec Sykes 'Pepperpot Magic' © Jeff Andersen Jnr.
Debut, Features, Interviews, Music, Track-by-TrackNovember 14, 2024<November 14, 2024

Trauma, Heartache, & Healing: Melbourne’s Bec Sykes Delves into the Intimate Alt-Folk Depths of Debut LP ‘Pepperpot Magic’

Sebastian Schub © Emelia Staugaard
Artist to Watch, Columns, Interviews, Music, Today's SongNovember 14, 2024<November 14, 2024

Interview: Singer/Songwriter Sebastian Schub Debuts With “Sing Like Madonna,” a Defining & Impassioned Mission Statement

The Brook & The Bluff © Bryant Bural & Noah Tidmore
Features, Interviews, Music, Track-by-TrackNovember 14, 2024<November 14, 2024

Feature: Basking in The Brook & The Bluff’s Big Happy Accident, ‘This Could All Go Nowhere’

She's in Parties © Polocho
Features, Interviews, Music, Track-by-TrackNovember 13, 2024<November 13, 2024

“Smile for me”: Essex’s She’s in Parties Shine a Light on Our Broken World in Theatrical ‘Puppet Show’ EP

Holly Lovell © Eric Yochim
Music, PremieresNovember 13, 2024<November 15, 2024

Premiere: Denver’s Holly Lovell Embraces Grief, Heartache, & Longing in “When Did I Lose You”

Mood Bored © Michèle Margot
Artist to Watch, Music, Music Videos, PremieresNovember 13, 2024<November 15, 2024

“Don’t you wanna break?”: Mood Bored Premiere Their Grungy Angst-Fueled Fever Dream, “All the Time”

Izzy Outerspace © Troy Conrad
Music, Music Videos, PremieresNovember 12, 2024<November 12, 2024

Premiere: Floating Through Izzy Outerspace’s Dreamy, Aching “Beautiful Blur”

Peter Elkas "SWEET SPOT" © Atiya May Elkas
Columns, Music, Today's SongNovember 12, 2024<November 12, 2024

Basking in the “SWEET SPOT” With Peter Elkas’ Dreamy, Sun-Kissed Yacht Rock Reverie

Buddie © Tyler McLeod
Columns, Music, Today's SongNovember 6, 2024<November 6, 2024

Today’s Song: Buddie Call Out a Broken System in “Impatient,” a Hard-Hitting Grunge Pop Vent Session

deary © Grace Easton
Features, Interviews, Music, Track-by-TrackNovember 5, 2024<November 5, 2024

“Anxious, Intense, & Fragile”: deary’s Dream Pop Universe Evolves and Expands With ‘Aurelia’ EP

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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