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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

TOLEDO © Joe Pietropaolo
Features, Interviews, Music, Track-by-TrackJuly 8, 2025<July 8, 2025

“Home Grown Nostalgia”: TOLEDO Find Motion in Stillness on Their Seductively Spellbinding ‘Inertia’ EP

Jahnah Camille © Elizabeth Marsh
Columns, Interviews, Music, Today's SongJuly 8, 2025<July 8, 2025

“Kissing the Drain”: Jahnah Camille Hits a Breaking Point in Her Feverish Alt-Rock Anthem “what do you do?”

Best Boys © Anna McClain
Debut, Music, Music Videos, PremieresJuly 7, 2025<July 7, 2025

“Like a road trip to nowhere”: Best Boys Find Beauty in the Breakdown on Their Smoldering & Cinematic Debut Single “Forgive Forget”

Brian Dunne "Clams Casino" © Marianka Campisi
Interviews, Music, Today's SongJuly 3, 2025<July 3, 2025

“Why’s it so hard to have a good thing?”: Brian Dunne Digs into the American Dream of a ‘Good Life’ in His Restless, Hungry Anthem, “Clams Casino”

Aaron Taylor © Jasmijn van Buytene
Features, Interviews, Music, Track-by-TrackJuly 2, 2025<July 2, 2025

“Yours Always”: Aaron Taylor Turns a Powerful Promise into Soul-Stirring Music in His Stripped-Back EP

Shura 'I Got Too Sad For My Friends' © Charlotte Croft
Features, Interviews, MusicJuly 2, 2025<July 2, 2025

“Gentle, Big, & Sad”: Shura Opens Up About the Quiet Chaos of Being Human and ‘I Got Too Sad for My Friends,’ Her Most Vulnerable Album Yet

Kindelan © Monika Levčenkovaitė
Music, PremieresJuly 2, 2025<July 2, 2025

Premiere: Kindelan Reckons with Lost Love & Lingering Regret in Her Soul-Stirring “Wish I Wrote a Love Song”

Sheléa "Time Machine" © 2025
Columns, Interviews, Music, Today's SongJuly 2, 2025<July 2, 2025

Sheléa Revisits Lost Love with Grace & Golden-Era Soul in Her Cinematic, Motown-Inspired Classic “Time Machine”

Vacation Manor © Nathan Grimes
Features, Interviews, Music, Track-by-TrackJuly 1, 2025<July 1, 2025

“Accepting the Present”: Vacation Manor on Finding Beauty in Stillness and the Emotional Landmarks of Their ‘Back to Town’ EP

flipturn 'Burnout Days' © Amanda Laferriere
Features, Interviews, Music, Track-by-TrackJuly 1, 2025<July 3, 2025

“I wanna feel my heart again”: flipturn’s ‘Burnout Days’ Become Sweaty, Soul-Stirring Fever Dreams on Their Sophomore Album

NoMBe’s Disco Era Blends Swagger with Groove, Empowerment, & Black Heritage Ahead of ‘DIÁSPORA’
Features, Interviews, Music, Today's SongJune 28, 2025<July 1, 2025

“I Want People to Dance”: NoMBe’s Disco Era Blends Swagger with Groove, Empowerment, & Black Heritage Ahead of ‘DIÁSPORA’

Atwood Magazine's 126th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 27, 2025<July 3, 2025

Editor’s Picks 126: NoSo, James Smith, Billy Nomates, Brian Dunne, Glitterfox, & Mon Rovîa!

M.anifest © Emmanuel Mensah Agbeble
Features, Interviews, Music, Track-by-TrackJune 26, 2025<June 26, 2025

Feature: Ghanaian Rapper M.anifest Breaks Down His Boldly Ambitious Pan-African Album, ‘NEW ROAD AND GUAVA TREES’

Lowswimmer © Sandra Ebert
MusicJune 26, 2025<June 26, 2025

“Addictive, Melodic, & Dreamy”: Lowswimmer’s Ed Tullett Lets Go & Leans in on ‘Godspeed, Fantasy,’ a Radiant Record of Self-Discovery

Nectar Woode © Desire Appau
Columns, Interviews, Music, Today's SongJune 26, 2025<June 26, 2025

“Feeling the rhythm, heading for the light”: Nectar Woode Shines on “Only Happen,” a Seductive, Smoldering Soul Anthem Full of Heat, Heart, & Heritage

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Recent Posts

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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