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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Asha Wells © Curtis Z. Austin
Music, ReviewsNovember 3, 2026<November 3, 2026

“Just to Write a Name in the Dust”: Asha Wells Honors the Love That Couldn’t Last on the Beautifully Spellbinding “Gift Horse”

Atwood Magazine's Editor's Picks 170!
Columns, Editor's Picks, Features, MusicOctober 31, 2026<October 31, 2026

Editor’s Picks 170: PASH, Matilda Mann, Evan Honer & Medium Build, Pamela., Stevie Bill, & The Hails!

total tommy © Billy Zammit
Features, Interviews, Music, Track-by-TrackOctober 30, 2026<October 30, 2026

“I’m Leaning Into the Off-Kilter”: total tommy Embraces Imperfection and Her Darker Side on ‘Trapezoid,’ a Blistering Indie Rock Portrait of Love, Chaos, & Self-Sabotage

Convinced Friend © Shawn Tabor
Features, Interviews, MusicOctober 29, 2026<October 29, 2026

“These Songs Have Been Lived In”: Convinced Friend Keeps a Disappearing Hometown Alive on ‘Nowhere Songs,’ a Spellbinding Ode to All We Leave Behind

Sebastian Schub © Una Burnand
Artist to Watch, Interviews, Music, Today's SongOctober 29, 2026<October 29, 2026

“Like 100 Shots of Espresso”: Sebastian Schub Throws Himself Headfirst into Joy on “kiss of life.” and His Most Magical Music Yet

Elephant Stone © Bowen Stead
Interviews, MusicOctober 28, 2026<October 28, 2026

“I’m Sick of Everything Evil”: Montreal’s Elephant Stone Search for Hope Amid Grief & Political Turmoil on ‘ASHA,’ a Soul-Stirring Psychedelic Reckoning

Lucia & The Best Boys © Izzy Leach
Interviews, Music, Today's SongOctober 28, 2026<October 28, 2026

“Tell Someone You Love Them”: Lucia & The Best Boys Revel in Big Romance and the Beautiful Audacity of Feeling Everything on ‘Picking Petals’

Atwood Magazine's 169th Editor's Picks!
Columns, Editor's Picks, Features, MusicOctober 21, 2026<October 21, 2026

Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson!

Adelide © Caroline King
Interviews, Music, PremieresOctober 20, 2026<October 20, 2026

“I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’

Laila Smith ‘Something Dreadful Is Going to Happen’ © courtesy of the artist
Artist to Watch, Debut, Features, Interviews, MusicOctober 20, 2026<October 20, 2026

“The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP

Lottie McLeod 'The Boathouse' EP © Ghina Sari
Features, Interviews, Music, Track-by-TrackOctober 20, 2026<October 20, 2026

“Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph

MUANH © Andjani Autumn
Artist to Watch, Debut, Interviews, Music, Today's SongOctober 19, 2026<October 21, 2026

“There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust

Oh Wonder "Mad World" © Charlotte Patmore
Music, Reviews, This Just InOctober 19, 2026<October 20, 2026

“Let’s Crawl into the Arms of Love”: Oh Wonder Face the Darkness Together on “Mad World,” a Heartfelt Anthem of Hope

Spring Term © Claire Hensley
Artist to Watch, Interviews, Music, Today's SongOctober 16, 2026<October 16, 2026

“The Sun Is Like a Garment”: Spring Term Blooms into a Radiant Era of Love & Possibility with “Jacaranda,” a Kaleidoscopic Indie Pop Fever Dream

Big Guy & The Very Large Men © Kohl Almire
Artist to Watch, Features, Interviews, Music, PremieresOctober 15, 2026<October 16, 2026

“At the Intersection of Smart and Stupid”: Nashville’s Big Guy & The Very Large Men Celebrates the Glorious Mess of Being Alive Through Dreamy, Campy, Y’allternative Songs

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Recent Posts

  • Festival Feature: Same Same But Different Creates a Home for Music, Creativity, and the Joy of Being Present November 3, 2026
  • Live Review: Geese Play to the Living and the Dead at Hollywood Forever November 3, 2026
  • “Music Is Meant to Be Shared”: Carlin Tripp on ‘Dead Reckoning,’ Community, and More Than Two Decades of Songwriting November 3, 2026
  • “Just to Write a Name in the Dust”: Asha Wells Honors the Love That Couldn’t Last on the Beautifully Spellbinding “Gift Horse” November 3, 2026
  • “Won’t You Follow Me Now”: Chicago’s The Back Alley Carry Love and Longing into a New Era on “Pick Me Up,” a Magnetic Reintroduction November 3, 2026
  • Editor’s Picks 170: PASH, Matilda Mann, Evan Honer & Medium Build, Pamela., Stevie Bill, & The Hails! October 31, 2026
  • “I’m Leaning Into the Off-Kilter”: total tommy Embraces Imperfection and Her Darker Side on ‘Trapezoid,’ a Blistering Indie Rock Portrait of Love, Chaos, & Self-Sabotage October 30, 2026
  • Atwood Magazine’s Weekly Roundup: October 30, 2026 October 30, 2026
  • “These Songs Have Been Lived In”: Convinced Friend Keeps a Disappearing Hometown Alive on ‘Nowhere Songs,’ a Spellbinding Ode to All We Leave Behind October 29, 2026
  • “Like 100 Shots of Espresso”: Sebastian Schub Throws Himself Headfirst into Joy on “kiss of life.” and His Most Magical Music Yet October 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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