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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Pierre Da Silva "Taboo" © Garreth Chan
Interviews, Music, Today's SongMay 4, 2026<May 4, 2026

“I Feel Freed”: Hackney’s Pierre Da Silva Surrenders to Temptation on “Taboo,” a Smoldering, Soul-Soaked Seduction

People I've Met (L-R: Moses Martin, Andrew Suster, and Orlando Wiltshire) © Mikayla LoBasso
Interviews, Music, Today's SongMay 1, 2026<May 1, 2026

“My Limerence Just Fell on You”: NYC’s People I’ve Met Slowly Unravel into Aching Catharsis on “Loving One,” a Fragile, Intimate, & Soul-Stirring Reverie

Walker Reinhardt © Andrew Foss
Interviews, Music, PremieresApril 30, 2026<April 30, 2026

“No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria

Rosenthal (Jeppe Kiel Revsbech) © Mads Nordvig Borup
Debut, Interviews, Music, PremieresApril 30, 2026<April 30, 2026

“The Morning Skies Are for You”: Rosenthal Transforms Lost Love into Light on “Luna,” a Glistening Reverie of Gratitude & Memory

Ok Goodnight © Zack Spencer
Interviews, Music, Today's SongApril 30, 2026<April 30, 2026

“We Brought Out the Weight”: Ok Goodnight Roar Through Betrayal, Forgiveness, & Creative Rebirth on “22,” a Feverish Hard Rock Reckoning

Annabelle Dinda © Lia Whitman
Debut, Features, Interviews, MusicApril 29, 2026<April 29, 2026

“God Forbid She Shows Emotion”: Annabelle Dinda Stakes Her Claim on ‘Some Things Never Leave,’ a Fearless Debut Album About Memory, Identity, & Emotional Residue

The Temper Trap © Alberto Zimmermann
Features, Interviews, Music, Today's SongApril 29, 2026<April 29, 2026

“Layin’ It Bare”: The Temper Trap on Transforming Grief into a Soaring New Life in “Giving Up Air” & Fourth Album ‘Sungazer’

Atwood Magazine's 153rd Editor's Picks!
Columns, Editor's Picks, Features, MusicApril 27, 2026<April 27, 2026

Editor’s Picks 153: Iron & Wine, ARCHIE, Young the Giant, Friko, People I’ve Met, & mildred!

Any Young Mechanic © Nash Blight
Columns, Interviews, Music, Today's SongApril 24, 2026<April 24, 2026

“What You Hear Is What Was Played”: Any Young Mechanic Are Bringing Raw, Beautifully Human Imperfections Back to Modern Folk Music

Noah Kahan 'The Great Divide' © Patrick McCormack
Features, Music, ReviewsApril 24, 2026<April 26, 2026

“It Gets Harder to See Me the Closer You Try to Look”: Noah Kahan Turns Distance, Identity, & Time into His Most Defining Statement Yet on ‘The Great Divide’

Jena Malone © Elias Tahan
Interviews, Music, Music Videos, PremieresApril 23, 2026<April 25, 2026

“You’ve Been Everything I’ve Been Craving”: Jena Malone Makes Desire Feel Dangerous, Dreamy, & Utterly Irresistible in “You’ve Been on My Mind”

Pleasure Pill © Sydney Lemons
Features, Interviews, Music, PremieresApril 23, 2026<April 23, 2026

“Rock ‘n’ Roll Is Something We Believe In”: Pleasure Pill Come ‘Alive’ with Infectious Britpop Charm & Churn on Electrifying EP

Abby Nissenbaum © Hannah Kik
Music, PremieresApril 23, 2026<April 23, 2026

“Is It That I’m Not Your Type?”: Abby Nissenbaum Burns with Longing on “Naomi,” a Soulful & Smoldering Torch Song

Eugene McGuinness © Robin Clewley
Features, Interviews, Music, Track-by-TrackApril 22, 2026<April 23, 2026

“Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song

Ross Newhouse © Nick Collingwood
Features, Interviews, Music, Today's SongApril 22, 2026<April 22, 2026

“Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner

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Recent Posts

  • “I’d Know Your Face from Anywhere”: Gay Meat Creates a Musical Memorial with ‘Blue Water’ May 4, 2026
  • “I Feel Freed”: Hackney’s Pierre Da Silva Surrenders to Temptation on “Taboo,” a Smoldering, Soul-Soaked Seduction May 4, 2026
  • Friko Clean Up by Getting Messy in ‘Something Worth Waiting For’ May 4, 2026
  • Atwood Magazine’s Weekly Roundup: May 1, 2026 May 1, 2026
  • Meet Moody Joody: Three Musicians, Two Prevailing Moods, One Awesome Pop Trio Worth Keeping Your Eyes On May 1, 2026
  • “I’m Gonna Keep on Throwing Curveballs”: Brett Emmons Starts Fresh as John Shambles on ‘Cabin Fever,’ His Most Honest, Unvarnished Work Yet May 1, 2026
  • “My Limerence Just Fell on You”: NYC’s People I’ve Met Slowly Unravel into Aching Catharsis on “Loving One,” a Fragile, Intimate, & Soul-Stirring Reverie May 1, 2026
  • “No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria April 30, 2026
  • “The Morning Skies Are for You”: Rosenthal Transforms Lost Love into Light on “Luna,” a Glistening Reverie of Gratitude & Memory April 30, 2026
  • “We Brought Out the Weight”: Ok Goodnight Roar Through Betrayal, Forgiveness, & Creative Rebirth on “22,” a Feverish Hard Rock Reckoning April 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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