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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

BERENICE "Everybody Loves Italian Girls" © Lene Ray
Artist to Watch, Interviews, Music, PremieresMay 29, 2026<May 29, 2026

“Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full

Maya Engen "Fool" © 2026
Debut, Features, Interviews, MusicMay 29, 2026<May 29, 2026

“I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything

Wake The Wild © Jamal-Akil Marshall
Interviews, Music, Music Videos, PremieresMay 28, 2026<May 28, 2026

“When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie

ill peach © Lucy Sandler
Interviews, Music, Today's SongMay 28, 2026<May 28, 2026

“I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND”

Isabelle Skye "Subaru" © Sinead Leigh
Interviews, Music, Music Videos, PremieresMay 27, 2026<May 28, 2026

“How Dare You?”: Isabelle Skye Turns a Traumatic Encounter into a Beautiful, Empowering Indie Pop Reckoning on “Subaru”

Vansire © Caroline Alkire
Columns, Music, Today's SongMay 27, 2026<May 27, 2026

“It’s You and the Stranger Who Wrote It”: Vansire Find Sunlit Solace on “For the Moment,” a Feel-Good Indie Pop Reprieve for Uncertain Times

Atwood Magazine's 155th Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 22, 2026<May 22, 2026

Editor’s Picks 155: Houndmouth, Fruit Bats, Nymphlord, Aquilo, corook, & Big Sleep!

April + VISTA 'Traditional Noise' © Foster K. White
Debut, Features, Interviews, MusicMay 21, 2026<May 21, 2026

“Our Reality Is Noisy”: April + VISTA Make Comfort Music for a World on Fire with ‘Traditional Noise,’ a Cinematic & Boundary-Breaking Debut

Ana Grosh "Call Me Back" © Mia Humphrey
Interviews, Music, Music Videos, PremieresMay 21, 2026<May 21, 2026

“All I Get from You Is Voicemail”: Ana Grosh Cries Out for Connection on “Call Me Back,” a Soul-Soaked Anthem for the After-Party Blues

Manasseh "CBD" © Rikkie Khrist
Music, PremieresMay 19, 2026<May 19, 2026

“Please Calm Yo Bi*** A** Down”: Manasseh Sets His Boundaries Ablaze on “CBD,” a Smoldering Psych-Soul Diss Track ft. femdot.

Band of Revelations' Johnny Lloyd © William Kennedy
Columns, Debut, Music, Today's SongMay 19, 2026<May 19, 2026

“I Wasn’t Listening to the Zeitgeist”: Johnny Lloyd Comes Home to Himself on Band of Revelations’ Spirited Debut Single “All the Way Home”

Chelsea Jordan © Hunter Lyon
Columns, Music, Today's SongMay 18, 2026<May 18, 2026

“I Gotta Lotta Love to Give”: Chelsea Jordan Makes Her Love Count on “picky choosy,” a Soulful Self-Worth Anthem Full of Fire & Freedom

Debut, Interviews, Music, Today's SongMay 15, 2026<May 20, 2026

“I Can’t Help Myself, I’m All About You”: Lola Blue Surrenders to the Bright Rush of Young Love on “Heartbeat,” a Dreamy Indie Pop Seduction

Ray Bull © Kyle Berger
Music, ReviewsMay 15, 2026<May 14, 2026

‘Please Stop Laughing’: Ray Bull Find Freedom in the Unknown on a Playful, Spirited Indie Pop Album Full of Jokes, Bruises, & Feeling

Jonathon Penn © Robbie Bruzus
Music, PremieresMay 14, 2026<May 14, 2026

“Why You Digging Your Own Grave?”: Jonathon Penn Unearths Grace, Guilt, & Reckoning on “Compensation (Or, The Snake Song),” a Tender, Rattled Folk Song

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Recent Posts

  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
  • “Jazz Isn’t a Museum Piece”: Black Nile Cultivate a Bountiful ‘Indigo Garden’ Full of Fresh Jazzy Delights May 28, 2026
  • “When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie May 28, 2026
  • “I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND” May 28, 2026
  • Magdalena Bay Turn Kilby Block Party into a Mercurial World with Their Rain-Soaked Set May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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