• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Nasim Elyasi

Nasim Elyasi

Nasim is a San Francisco-based writer. She loves music, words, and being outside. You can find her on the couch watching “No Reservations” with her cats, or anywhere there is live music.

Searows ‘Death in the Business of Whaling’ © Marlowe Osteara
Features, Interviews, MusicJanuary 21, 2026<January 26, 2026

Into Eternity: Searows Talks Abstraction and Artistic Growth on ‘Death in the Business of Whaling’

BENEE - Ur An Angel I’m Just Particles
Features, Interviews, MusicNovember 7, 2025<November 7, 2025

“Obsession, Breakdown, Chaos, and Ascent”: BENEE Breaks Down Her Sophomore Album, ‘Ur An Angel I’m Just Particles’

Haute & Freddy "Freaks" © Noah Kentis
Features, Interviews, MusicOctober 7, 2025<February 13, 2026

From Pop Charts to Court Jesters: The Inspiration Behind Haute & Freddy’s Ingenuity

Zimmer90 © Lisa Nguyen
Debut, Features, Interviews, MusicSeptember 26, 2025<September 26, 2025

“We just need a place where we feel the vibe”: Zimmer90’s ‘Interior’ Is a Home Away from Home

Kareem Rahma & Tiny Gun © Justin Belmondo
Features, Interviews, MusicSeptember 24, 2025<September 24, 2025

Kareem Rahma & Tiny Gun: Big Heads Just Want to Have Fun

Flyte 'Between You and Me' © Madison Rensing
Features, Interviews, MusicSeptember 19, 2025<September 19, 2025

“Tricking Ourselves into Truth”: Flyte on the Revelatory Power of Their Fourth LP, ‘Between You and Me’

Midnight Generation © Josh Withers
Artist to Watch, Interviews, MusicAugust 21, 2025<August 21, 2025

Interview: Midnight Generation Is Funk’s Best-Kept Secret

Orla Gartland © Shervin Lainez
Features, Interviews, MusicAugust 14, 2025<August 14, 2025

Hot Dogs and High Kicks: An Interview with Orla Gartland at Outside Lands ’25

Samia 'Bloodless' © Graham Tolbert
Features, Interviews, MusicApril 25, 2025<April 26, 2025

Interview: Samia’s ‘Bloodless’ Is a Return to Form and Reclamation of Self

Martha Wainwright © 2025
Features, Interviews, MusicApril 24, 2025<September 5, 2025

“I Was Trying to Be Loved”: Martha Wainwright Reflects on 20 Years of Music, Family, & Finding Herself

The Driver Era's Rocky and Ross Lynch © Will Wark
Features, Interviews, MusicApril 18, 2025<April 18, 2025

“Pursuing Purpose”: The Driver Era’s Rocky and Ross Lynch on Crafting ‘Obsession’ in the Digital Age

Franz Ferdinand 'The Human Fear' album art
Features, Interviews, MusicJanuary 31, 2025<January 31, 2025

Identity, Instinct, and ‘The Human Fear’: A Conversation With Franz Ferdinand

The Voidz © Cheryl Georgette
Features, Interviews, MusicOctober 8, 2024<October 15, 2024

Interview: The Voidz Discuss Method & Madness on Their Latest Record, ‘Like All Before You’

Porches © Jason Al-Taan
Features, Interviews, MusicSeptember 25, 2024<September 5, 2025

“I have always been drawn to the in-between stuff”: Porches on His Supersaturated and Sonorous LP, ‘Shirt’

Still Woozy 'Loveseat' © Alex Kennedy
Features, Interviews, MusicJuly 2, 2024<September 5, 2025

“Maybe the music is the saving grace”: Still Woozy’s Sven Gamsky Gets Comfortable with ‘Loveseat’

Posts pagination
1 2 3 … 5

Recent Posts

  • Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ March 17, 2026
  • “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month March 17, 2026
  • “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth March 17, 2026
  • Atwood Magazine’s Weekly Roundup: March 17, 2026 March 17, 2026
  • Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist March 16, 2026
  • “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem March 16, 2026
  • “Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” March 15, 2026
  • “Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change” March 14, 2026
  • “There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World March 13, 2026
  • “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ March 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services