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Natalie Crane

Natalie Crane

Natalie Crane is a charmingly melodramatic student at Temple University in Philadelphia. She is a strong advocate for good vibes and even better music. She is currently serving as Temple Radio's Assistant Music director and is also a contributing writer for Indie Shuffle in addition to running her own music blog, indiependence.

Stephen of Her's at Johnny Brenda's © Natalie Crane
Essays, Features, MusicApril 2, 2019<April 3, 2019

In Memoriam: Remembering the Life, Spirit, and Energy of Her’s

Lorde © Universal Music New Zealand
Concerts, Music, ReviewsApril 13, 2018<April 13, 2018

Live: Lorde’s Melodrama Tour Left Fans with Stars in Their Eyes & Pockets

Agony - Beach Fossils
Columns, Music, Today's SongMarch 5, 2018<March 5, 2018

Today’s Song: Beach Fossils Add Hazy Layers in “Agony” Cover

Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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