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Natalie Crane

Natalie Crane

Natalie Crane is a charmingly melodramatic student at Temple University in Philadelphia. She is a strong advocate for good vibes and even better music. She is currently serving as Temple Radio's Assistant Music director and is also a contributing writer for Indie Shuffle in addition to running her own music blog, indiependence.

Stephen of Her's at Johnny Brenda's © Natalie Crane
Essays, Features, MusicApril 2, 2019<April 3, 2019

In Memoriam: Remembering the Life, Spirit, and Energy of Her’s

Lorde © Universal Music New Zealand
Concerts, Music, ReviewsApril 13, 2018<April 13, 2018

Live: Lorde’s Melodrama Tour Left Fans with Stars in Their Eyes & Pockets

Agony - Beach Fossils
Columns, Music, Today's SongMarch 5, 2018<March 5, 2018

Today’s Song: Beach Fossils Add Hazy Layers in “Agony” Cover

Recent Posts

  • “I Hate Myself, So I Turn It Into Art”: Medium Build Rips Through Every Defense Mechanism on “Armor,” a Feverish Reckoning with the Terror of Being Known July 21, 2026
  • “The Music Is the Softest Part of Me”: Fenne Lily on Saying “Uh Huh” to Love – Even When It Hurts July 21, 2026
  • “A Safe, Magical Space for People to Live Inside Of”: mary in the junkyard Are in the Business of Worldbuilding on Debut Album ‘Role Model Hermit’ July 21, 2026
  • “Can Someone Please Help Me Out?”: Saudi Oil Make Panic Public on “Wires,” a Jagged, Feverish Riot From NYC’s Frayed Nerves July 21, 2026
  • “Hold Me Like You Used to Do”: Luca Wilding Bathes Maternal Love in Boundless Light on “Ocean Mother,” a Soul-Stirring Dream-Folk Reverie July 21, 2026
  • “I Was All Raw Emotion”: Houndmouth Drag Themselves Back into the Light on ‘Lordy’ July 20, 2026
  • “Who Owns Who?”: Cara Delevingne Finds Her Voice on the Electrifying, Emotionally Razor-Sharp “Need It” July 20, 2026
  • Track-by-Track: MOMO. Unpacks ‘Tum Tum Tum,’ an Album of Rhythm, Memory, and the Spaces In-Between July 20, 2026
  • Oneness, Serendipity, & Songwriting: A Conversation with Mallory Feuer of The Grasping Straws July 20, 2026
  • “Justice, an Obsession”: U2’s “Street of Dreams” Is a Defiant Anthem of Hope and Empowerment for Today’s World July 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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