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Noah Wade

Noah Wade

Noah Wade is a singer-songwriter and rising music journalist from Long Island, NY. You'll usually find him at a concert, at a cozy coffee shop, or at the beach. His album The Story Of James Dean will be released in the coming months, with "Hello James Dean" and "DYA" already available for streaming. You can follow him on Instagram @noahjwade_ or email him at noahjwade@outlook.com

Tanner Massey © Clayton Massey
Contributor Interview, Covers, Debut, Features, From The Zine, Interviews, Music, NewsMarch 25, 2024<March 25, 2024

Interview: A Deep Dive into the Technical Singing of ‘The Voice’ Season 24 Contestant Tanner Massey

Chaz Cardigan © courtesy of the artist
Features, Interviews, Music, News, Pop Matters, TravelMarch 13, 2024<March 13, 2024

Interview: Chaz Cardigan’s Conceptual ‘A Year in Glassland’ Is a Selfless Telling of His Story… By Him, for Me & You

Wallows © Aidan Zamiri
Columns, Music, Today's SongMarch 1, 2024<March 1, 2024

Today’s Song: At a Time in Which No Artist Is Assured an Easy Hit, Wallows Pivot With “Your Apartment”

Ashley Kutcher © Brittany Harper
Debut, Features, Interviews, MusicFebruary 8, 2024<February 8, 2024

Interview: Ashley Kutcher’s Debut Album ‘House on the Water’ Is a Formidable Cross-Genre Effort

Comfort Club © Lauren Nieves
Artist to Watch, Features, Interviews, Music, Music You Should Know, Pop MattersJanuary 30, 2024<January 30, 2024

Interview: This Time Around, Comfort Club Is Holding Nothing Back

Quinn Sullivan © 2023
Columns, Music, Today's SongDecember 17, 2023<December 15, 2023

Today’s Song: Quinn Sullivan Kicks Off New Era With “Salvation (Make Me Wanna Pray)”

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Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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