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Olivia Martinez

Olivia Martinez

Olivia has been part of the Atwood writing team for a little over a year, but her initial connection with the magazine began as a musician. When she is not writing Atwood articles, Olivia can be found performing with her band, Don’t Tell Iris; reading; or spending time in nature.

Biig Piig © Yana Van Nuffel
Columns, Music, Today's SongJanuary 28, 2025<January 28, 2025

Today’s Song: Biig Piig Delves into a Heartfelt Goodbye on Forward-Looking “One Way Ticket”

Lea Thomas © Wyndham Garnett
Columns, Music, Today's SongOctober 8, 2024<October 8, 2024

Lea Thomas Invites Listeners to Recognize Their Own Connectedness on “River Runs Through,” an 8-Minute Window into the Magical World of Her New Album

No Way to Relax When You Are on Fire - Dora Jar
Debut, Music, ReviewsSeptember 25, 2024<September 25, 2024

Review: Dora Jar’s Debut Album ‘No Way to Relax When You Are on Fire’ Cements Her As a Trailblazer & All-Around Champion of Pop

Softcult © Kayleen Widdoes
Features, Interviews, MusicMay 24, 2024<May 24, 2024

“Heaven isn’t what they tell you it is”: Softcult Showcase Their Authentic Activism & Songwriting Craftsmanship on ‘Heaven’ EP

Pomme 'Saisons' © Lawrence Fafard
Features, Interviews, MusicApril 29, 2024<April 29, 2024

“I didn’t want to be the main girl or the hero”: Pomme Takes Time to Watch the Seasons Bloom in Modern Opera, ‘Saisons’

Kaleah Lee 'Birdwatcher' © Spruce Bohen
Features, Interviews, MusicMarch 22, 2024<March 22, 2024

Interview: Kaleah Lee’s ‘Birdwatcher’ EP Profoundly Reflects on the Freedom of Solitude

The Marías "Run Your Mouth" © Bethany Vargas
Columns, Music, Today's SongMarch 11, 2024<March 11, 2024

Today’s Song: The Marías Introduce Fans to the Immersive World of New Album ‘Submarine’ on Danceable Lead Single “Run Your Mouth”

Helenor © Kevin Spies
Music, Music Videos, PremieresFebruary 12, 2024<February 12, 2024

Premiere: Helenor’s New Single “Tattoo” Tells a Story of Spontaneous Permanence

Madeline Rhodes © Ana Lefaux
Features, Music, Music VideosFebruary 8, 2024<February 8, 2024

Premiere: Madeline Rhodes’ Debut Single “Bailing on Your Birthday” Invites Listeners to Cancel Their Party Plans & Focus on Mental Health Instead

Prelude to Ecstasy - The Last Dinner Party
Debut, Music, ReviewsFebruary 5, 2024<February 5, 2024

Review: The Last Dinner Party’s Debut Album ‘Prelude to Ecstasy’ Is a Triumphant Exploration of Maximalism in Music

Sophie Powers © Bishop Eleghino
Columns, Music, Today's SongJanuary 27, 2024<January 27, 2024

Sophie Powers Transforms Self-Deprecation into Empowerment in “Better on Mute” (ft. Chandler Leighton)

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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