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Olivia Martinez

Olivia Martinez

Olivia has been part of the Atwood writing team for a little over a year, but her initial connection with the magazine began as a musician. When she is not writing Atwood articles, Olivia can be found performing with her band, Don’t Tell Iris; reading; or spending time in nature.

Biig Piig © Yana Van Nuffel
Columns, Music, Today's SongJanuary 28, 2025<January 28, 2025

Today’s Song: Biig Piig Delves into a Heartfelt Goodbye on Forward-Looking “One Way Ticket”

Lea Thomas © Wyndham Garnett
Columns, Music, Today's SongOctober 8, 2024<October 8, 2024

Lea Thomas Invites Listeners to Recognize Their Own Connectedness on “River Runs Through,” an 8-Minute Window into the Magical World of Her New Album

No Way to Relax When You Are on Fire - Dora Jar
Debut, Music, ReviewsSeptember 25, 2024<September 25, 2024

Review: Dora Jar’s Debut Album ‘No Way to Relax When You Are on Fire’ Cements Her As a Trailblazer & All-Around Champion of Pop

Softcult © Kayleen Widdoes
Features, Interviews, MusicMay 24, 2024<May 24, 2024

“Heaven isn’t what they tell you it is”: Softcult Showcase Their Authentic Activism & Songwriting Craftsmanship on ‘Heaven’ EP

Pomme 'Saisons' © Lawrence Fafard
Features, Interviews, MusicApril 29, 2024<April 29, 2024

“I didn’t want to be the main girl or the hero”: Pomme Takes Time to Watch the Seasons Bloom in Modern Opera, ‘Saisons’

Kaleah Lee 'Birdwatcher' © Spruce Bohen
Features, Interviews, MusicMarch 22, 2024<March 22, 2024

Interview: Kaleah Lee’s ‘Birdwatcher’ EP Profoundly Reflects on the Freedom of Solitude

The Marías "Run Your Mouth" © Bethany Vargas
Columns, Music, Today's SongMarch 11, 2024<March 11, 2024

Today’s Song: The Marías Introduce Fans to the Immersive World of New Album ‘Submarine’ on Danceable Lead Single “Run Your Mouth”

Helenor © Kevin Spies
Music, Music Videos, PremieresFebruary 12, 2024<February 12, 2024

Premiere: Helenor’s New Single “Tattoo” Tells a Story of Spontaneous Permanence

Madeline Rhodes © Ana Lefaux
Features, Music, Music VideosFebruary 8, 2024<February 8, 2024

Premiere: Madeline Rhodes’ Debut Single “Bailing on Your Birthday” Invites Listeners to Cancel Their Party Plans & Focus on Mental Health Instead

Prelude to Ecstasy - The Last Dinner Party
Debut, Music, ReviewsFebruary 5, 2024<February 5, 2024

Review: The Last Dinner Party’s Debut Album ‘Prelude to Ecstasy’ Is a Triumphant Exploration of Maximalism in Music

Sophie Powers © Bishop Eleghino
Columns, Music, Today's SongJanuary 27, 2024<January 27, 2024

Sophie Powers Transforms Self-Deprecation into Empowerment in “Better on Mute” (ft. Chandler Leighton)

Recent Posts

  • ‘Talking 2 Strangers’: Coyote Theory Capture the Moment on a Bold EP Fueled by Instinct, Energy, & Raw Emotional Urgency March 20, 2026
  • Keep Going: Rogér Fakhr’s Long-Awaited Homecoming March 20, 2026
  • “Beyond the Numbers: Visibility, Gatekeepers, & the Future of Women in Music”: An Essay by Elles Bailey for Women’s History Month March 20, 2026
  • “I Want Something Unfamiliar, Unpredictable”: midori jaeger Navigates Uprooting, Identity, & the Pull of the Unknown on “exasperate” and ‘(Un)planted’ March 20, 2026
  • Music Is a Means of Community for Curls Ultra March 20, 2026
  • “I’m in the Middle of the Past and the Future”: Chet Faker Comes Full Circle on ‘A Love for Strangers,’ Returning to Instinct, Curiosity, & the Feeling That Started It All March 20, 2026
  • Live Review: Milk & Bone Take Us an Emotional Journey, Dancing All the Way March 19, 2026
  • “Music Is a Journey, Not a Destination”: An Essay by Re Mattei for Women’s History Month March 19, 2026
  • “Catch Me on the Comedown”: The Maine Struggle to Slow Down on “Die to Fall,” a Restless Alt-Rock Fever Dream March 19, 2026
  • Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers! March 18, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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