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Regan Wojick

Regan Wojick

Regan is a 20 year old writer for Atwood Magazine as well as the local Los Angeles art & music magazine, Amadeus. She also runs her own small music blog called musikmusing.co. She loves all things having to with music and is an avid concert goer. She has a hunger for discovering new artists and is always interested in their roots, thought process, and why they do what they do. Regan loves movies, books, film scores, dogs, coffee, playing music, watching "Chopped," and pop music with substance. Her favorite artists are Marina and the Diamonds, Courtney Barnett, Daniel Johnston, Banks, the Smiths, Father John Misty, Grimes, Perfume Genius, and many many more. I hope my music choices make your ears happy!

Sevdaliza © Zahra Reijs
Columns, Music, Music Videos, Today's SongDecember 15, 2016<December 15, 2016

Today’s Song: Sevdaliza Hypnotizes Us with the Otherworldly “Human”

Porches © Jessica Lehrman
Features, Music, ReviewsNovember 2, 2016<November 2, 2016

Diving into Porches’ Water EP

Pond © 2016
Columns, Music, Today's SongOctober 24, 2016<October 24, 2016

Today’s Song: “Sweep Me Off My Feet” is POND’s Ode to Male Romantics

BANKS © 2016
Features, Music, Our Take, ReviewsOctober 13, 2016<May 9, 2017

Arriving at ‘The Altar’ with BANKS: A Track-by-Track Review

Lorde
Columns, Music, Nostalgia TracksSeptember 1, 2016<August 31, 2016

Nostalgia Tracks: Lorde’s Teen Angst Anthem “Ribs”

Savoir Adore © Dana Pacifico
Features, Interviews, MusicAugust 24, 2016<August 26, 2016

Finding “The Love That Remains” After Loss: A Conversation with Savoir Adore

Wens © Andreas Öhman, Jenni Gabelman
Columns, Debut, Music, Today's SongJuly 28, 2016<July 28, 2016

Today’s Song: Living and Listening to Your “Bones” with Wens

The Avalanches Colours 2016
Columns, Music, Today's SongJune 30, 2016<June 28, 2016

Today’s Song: The Avalanches are Seeing “Colours”

MØ © Fryd Frydendahl
Columns, Music, Today's SongMay 23, 2016<May 23, 2016

Today’s Song: Finding Rhythm and Soul with MØ in “Final Song”

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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