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Regan Wojick

Regan Wojick

Regan is a 20 year old writer for Atwood Magazine as well as the local Los Angeles art & music magazine, Amadeus. She also runs her own small music blog called musikmusing.co. She loves all things having to with music and is an avid concert goer. She has a hunger for discovering new artists and is always interested in their roots, thought process, and why they do what they do. Regan loves movies, books, film scores, dogs, coffee, playing music, watching "Chopped," and pop music with substance. Her favorite artists are Marina and the Diamonds, Courtney Barnett, Daniel Johnston, Banks, the Smiths, Father John Misty, Grimes, Perfume Genius, and many many more. I hope my music choices make your ears happy!

Sevdaliza © Zahra Reijs
Columns, Music, Music Videos, Today's SongDecember 15, 2016<December 15, 2016

Today’s Song: Sevdaliza Hypnotizes Us with the Otherworldly “Human”

Porches © Jessica Lehrman
Features, Music, ReviewsNovember 2, 2016<November 2, 2016

Diving into Porches’ Water EP

Pond © 2016
Columns, Music, Today's SongOctober 24, 2016<October 24, 2016

Today’s Song: “Sweep Me Off My Feet” is POND’s Ode to Male Romantics

BANKS © 2016
Features, Music, Our Take, ReviewsOctober 13, 2016<May 9, 2017

Arriving at ‘The Altar’ with BANKS: A Track-by-Track Review

Lorde
Columns, Music, Nostalgia TracksSeptember 1, 2016<August 31, 2016

Nostalgia Tracks: Lorde’s Teen Angst Anthem “Ribs”

Savoir Adore © Dana Pacifico
Features, Interviews, MusicAugust 24, 2016<August 26, 2016

Finding “The Love That Remains” After Loss: A Conversation with Savoir Adore

Wens © Andreas Öhman, Jenni Gabelman
Columns, Debut, Music, Today's SongJuly 28, 2016<July 28, 2016

Today’s Song: Living and Listening to Your “Bones” with Wens

The Avalanches Colours 2016
Columns, Music, Today's SongJune 30, 2016<June 28, 2016

Today’s Song: The Avalanches are Seeing “Colours”

MØ © Fryd Frydendahl
Columns, Music, Today's SongMay 23, 2016<May 23, 2016

Today’s Song: Finding Rhythm and Soul with MØ in “Final Song”

Recent Posts

  • Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music March 12, 2026
  • Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ March 12, 2026
  • Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ March 12, 2026
  • Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline” March 12, 2026
  • “A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’ March 11, 2026
  • You’ve Got Me Hummin’: No Hassle to Hear Early Billy Joel Melodies in New Doc, ‘And So It Goes’ March 11, 2026
  • “An Elegy for L. Skell”: An Essay by Human Potential’s Andrew Becker March 11, 2026
  • “Make That Money, Baby, Dig Your Grave”: Happy Landing Tear into the Myth of the American Dream on “The American Way” March 11, 2026
  • Dolphins on Acid Are Rediscovering the Tried-and-True Path to Success in Their Own Surf-Fueled Way March 10, 2026
  • With ‘Pretour,’ Kim Petras Fights to Share Her Bold New “Pop Sound” March 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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