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Shannon Ruzgys

Shannon Ruzgys

Long suffering student by day, music writer by night.

The Franklin Electric © 2017
Features, Interviews, MusicJuly 10, 2017<July 10, 2017

Blue Ceilings and Greener Pastures: A Conversation with The Franklin Electric

Amber Run © 2017
Music, Our Take, ReviewsMarch 24, 2017<April 5, 2017

Our Take: Amber Run Beautifully Embrace Uncertainty with ‘For a Moment, I Was Lost’

Arkells © 2016 8.9
Music, Our Take, ReviewsOctober 21, 2016<March 2, 2025

Our Take: The Messy Perfection of Arkells’ ‘Morning Report’

Jane's Party - live at Niagara On The Lake, August 2016 // © Shannon Ruzgys
Features, Interviews, Music, PremieresAugust 29, 2016<August 29, 2016

Old Friends and New Sounds: A Conversation with Jane’s Party

California - blink-182
Editorials, Features, Music, ReviewsAugust 18, 2016<August 18, 2016

blink-182’s California: The Good, The Bad, and The Comeback

Jane's Party 2016
Columns, Music, Today's SongJuly 26, 2016<July 26, 2016

Today’s Song: Jane’s Party Embrace Addiction on “Cigarette Buzz”

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services