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Features, Interviews, MusicJune 12, 2026<June 12, 2026

Interview: Madds Buckley Sings for the Girls, Gays, and Geeks

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“The Making of ‘The Violence’”: An Essay by Darren Hayman June 12, 2026
Interview: Madds Buckley Sings for the Girls, Gays, and Geeks June 12, 2026
“I thought I found the antidote this time”: Olivia Rodrigo Unravels Heartbreak from a New Perspective on “the cure” June 12, 2026
Editor’s Picks 157: James Smith, Fenne Lily, Rowena Wise, Alex Izenberg, Essence Martins, & The Army, The Navy June 11, 2026
“Desire Me”: A Pride Month Essay by Boy Blu June 11, 2026
“How Much Can You Divide Time?”: Gerrard Splits the Present Open on ‘ii. How Many Seconds in a Moment?,’ a Genre-Melting Debut of Memory, Rupture, & Release June 11, 2026
“Panic Attack, I’m an American Psycho”: verygently Sing Through Love’s Withdrawal on “STRONGER THAN THAT,” a Smoldering Indie Folk Reckoning June 11, 2026
Live Review: Slayyyter Cranks Governors Ball into a Campy, Gag-Worthy Pop Frenzy June 11, 2026
Answering the Longing: Bedouine’s ‘Neon Summer Skin’ Holds Home in Every Beat June 11, 2026
Atwood Magazine’s Weekly Roundup: June 10, 2026 June 10, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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