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Tinsley

Tinsley "Bad Enough" © Bella Petro

Music, PremieresFebruary 11, 2026<February 11, 2026

“I’m Not Waiting to Die Next to Some Boring Guy Ever Again”: Tinsley Turns Post-Breakup Freedom into Playful Petty Power on “Bad Enough”

by Mitch Mosk

Tinsley "Good Ride" © Kyla Mae Cantillo

Music, PremieresJune 5, 2024<June 5, 2024

Premiere: Tinsley’s Dreamy Country-Pop Song “Good Ride (Mechanical Bullshit)” Aches With a Tender Indie Twang

by Mitch Mosk

Tinsley © William Daniel Harvey

Music, PremieresJune 1, 2023<June 1, 2023

Premiere: Tinsley’s New Love Song Is an Intimate, Instant “Classic”

by Mitch Mosk

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Brand New

Live Review: Stepping Inside Def Leppard’s Monumental Caesars Palace Residency
“I’m Not Waiting to Die Next to Some Boring Guy Ever Again”: Tinsley Turns Post-Breakup Freedom into Playful Petty Power on “Bad Enough”
“Writing a Song to Meet the Moment”: An Essay by Boy Golden
Video Premiere: Tommy Emmanuel Reimagines “You Needed Me” with Acoustic Warmth and Grace for Valentine’s Day
“This Is the Eleventh Hour”: Lia Pappas-Kemps Fires the Flare on “Towers,” a Smoldering Reckoning at the Breaking Point
“I Choose to Love You”: Happy Just To See You Turn Self-Loathing into Catharsis on “Last Week’s Horse,” a Bruised Break-Up Song With Yourself
“Kill More Monsters”: MX LONELY Banish Their Demons on “Return to Sender,” an Unflinching Alt-Rock Exorcism

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Recent Posts

Live Review: Stepping Inside Def Leppard’s Monumental Caesars Palace Residency February 11, 2026
“I’m Not Waiting to Die Next to Some Boring Guy Ever Again”: Tinsley Turns Post-Breakup Freedom into Playful Petty Power on “Bad Enough” February 11, 2026
“Writing a Song to Meet the Moment”: An Essay by Boy Golden February 11, 2026
Video Premiere: Tommy Emmanuel Reimagines “You Needed Me” with Acoustic Warmth and Grace for Valentine’s Day February 11, 2026
“This Is the Eleventh Hour”: Lia Pappas-Kemps Fires the Flare on “Towers,” a Smoldering Reckoning at the Breaking Point February 11, 2026
“I Choose to Love You”: Happy Just To See You Turn Self-Loathing into Catharsis on “Last Week’s Horse,” a Bruised Break-Up Song With Yourself February 10, 2026
“Kill More Monsters”: MX LONELY Banish Their Demons on “Return to Sender,” an Unflinching Alt-Rock Exorcism February 10, 2026
“Will we ever return?”: SLC’s Anthony Pena Returns Home on His Dreamy, Soulful Debut Single “H.T.S.” February 9, 2026
“Time Can Really Run Away”: Louis Oliver Debuts with a Sweeping Piano Ballad Full of Heart, Soul, and Presence February 9, 2026
“As the Lights Smeared”: Rolling Blackouts Coastal Fever Chase the Afterglow on “Sunburned in London” February 8, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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