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Kenichi & The Sun review

KENICHI & THE SUN © Antje Taiga Jandrig

Interviews, MusicMay 12, 2020<May 12, 2020

Interview: Kenichi & The Sun Unveils Her Hauntingly Introspective Album ‘White Fire’

by Chloe Robinson

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Brand New

Atwood Magazine’s Weekly Roundup: April 26, 2024
They’re “happy just being here”: Good Morning’s ‘Good Morning Seven’ Finds Music in Life’s Mundanity
“Starburster”: Like an Iron Butterfly, Fontaines D.C. Are Delicate & Indestructible
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Interview: Ocean Alley Are Touching Back Down in Your City
Today’s Song: Wifey’s “Mary Ann Leaves the Band” Is a Fun, Dumb, and Instantly Memorable Pop/Rock Debut

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Recent Posts

Atwood Magazine’s Weekly Roundup: April 26, 2024 April 26, 2024
They’re “happy just being here”: Good Morning’s ‘Good Morning Seven’ Finds Music in Life’s Mundanity April 26, 2024
“Starburster”: Like an Iron Butterfly, Fontaines D.C. Are Delicate & Indestructible April 26, 2024
Stepping into the Spotlight: Teddy Swims’ Journey to a Bigger Stage April 26, 2024
“There’s something both awful and liberating about it”: NYC’s BAILEN Are Crying on the Subway, but “You Would Never Know” April 26, 2024
Interview: Ocean Alley Are Touching Back Down in Your City April 25, 2024
Today’s Song: Wifey’s “Mary Ann Leaves the Band” Is a Fun, Dumb, and Instantly Memorable Pop/Rock Debut April 25, 2024
“Bigger and Bolder and Louder”: Yot Club’s Ryan Kaiser Invites Us into the Wonderful World of ‘Rufus’ April 25, 2024
“Headfirst, hijack my prophecy”: Bergen’s fucales Whip Up a Nordic Storm on “It Was Decided,” a Sweaty Psychedelic Reverie April 25, 2024
“We are absolutely in the future right now”: Underneath It All, No Doubt Are Still Hella Good April 25, 2024

© Atwood Magazine 2023 For the Love of Music

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