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Lido PEDER songs review

Lido © Michael Drummond

Features, Interviews, MusicSeptember 18, 2020<September 18, 2020

Interview with Lido: Looping Past Loves Through Conceptual Ideas

by Lexi Lane

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Brand New

“Shifting, Holding, & Stirring”: Glasgow’s Raveloe Debuts With an Exhale of Raw Humanity in ‘Exit Light,’ a Record of Intimacy, Vulnerability, & Connection
Our Take: Kamasi Washington Asserts His Dominance in the World of Jazz on ‘Fearless Movement’
“A healthy kind of sweet”: Peach Luffe’s Love-Soaked ‘Honey’ EP Is a Natural High
Once Upon a Weekend: Corella’s Debut Album Is a Spirited Soundtrack to Chasing Our Dreams & the 9-5 Grind
Dua Lipa Wholeheartedly Opens Up in ‘Radical Optimism’
From Pain to Peace: Rock Band Hooked Like Helen’s Journey Through Mental Health and Music
“Western Witch Rock”: Nashville’s Kitty Coen Unleashes Her Inner ‘HELLCAT’ on Impassioned & Unapologetic Debut Album

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:: discover something new ::

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Recent Posts

“Shifting, Holding, & Stirring”: Glasgow’s Raveloe Debuts With an Exhale of Raw Humanity in ‘Exit Light,’ a Record of Intimacy, Vulnerability, & Connection May 9, 2024
Our Take: Kamasi Washington Asserts His Dominance in the World of Jazz on ‘Fearless Movement’ May 9, 2024
“A healthy kind of sweet”: Peach Luffe’s Love-Soaked ‘Honey’ EP Is a Natural High May 9, 2024
Once Upon a Weekend: Corella’s Debut Album Is a Spirited Soundtrack to Chasing Our Dreams & the 9-5 Grind May 9, 2024
Dua Lipa Wholeheartedly Opens Up in ‘Radical Optimism’ May 9, 2024
From Pain to Peace: Rock Band Hooked Like Helen’s Journey Through Mental Health and Music May 9, 2024
“Western Witch Rock”: Nashville’s Kitty Coen Unleashes Her Inner ‘HELLCAT’ on Impassioned & Unapologetic Debut Album May 8, 2024
“Vinegar in a stream”: Brooklyn’s h. pruz Bares Their Soul in Debut ‘No Glory,’ an Achingly Raw Album of Change, Guilt, & Growth May 8, 2024
“It’s ok to be a work in progress”: Quiet Canyons’ Tim Williams on His Heartfelt & Therapeutic New Album ‘Chairs’ May 8, 2024
Interview: English Teacher Unleash Everything in a Chaotic, Eclectic, Beautiful Mess on ‘This Could Be Texas’ May 8, 2024

© Atwood Magazine 2023 For the Love of Music

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