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Empire Records Sløtface

SLØTFACE © Jonathan Vivaas Kise

Columns, Concert Conversations, Concerts, Music, ReviewsJanuary 16, 2018<January 16, 2018

LIVE: “Scandinavian Enthusiasm” & More — Sløtface at The Echo, LA

by Lindsay Call

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Brand New

They’re “happy just being here”: Good Morning’s ‘Good Morning Seven’ Finds Music in Life’s Mundanity
“Starburster”: Like an Iron Butterfly, Fontaines D.C. Are Delicate & Indestructible
Stepping into the Spotlight: Teddy Swims’ Journey to a Bigger Stage
“There’s something both awful and liberating about it”: NYC’s BAILEN Are Crying on the Subway, but “You Would Never Know”
Interview: Ocean Alley Are Touching Back Down in Your City
Today’s Song: Wifey’s “Mary Ann Leaves the Band” Is a Fun, Dumb, and Instantly Memorable Pop/Rock Debut
“Bigger and Bolder and Louder”: Yot Club’s Ryan Kaiser Invites Us into the Wonderful World of ‘Rufus’

:: discover something new ::

:: discover something new ::

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Recent Posts

They’re “happy just being here”: Good Morning’s ‘Good Morning Seven’ Finds Music in Life’s Mundanity April 26, 2024
“Starburster”: Like an Iron Butterfly, Fontaines D.C. Are Delicate & Indestructible April 26, 2024
Stepping into the Spotlight: Teddy Swims’ Journey to a Bigger Stage April 26, 2024
“There’s something both awful and liberating about it”: NYC’s BAILEN Are Crying on the Subway, but “You Would Never Know” April 26, 2024
Interview: Ocean Alley Are Touching Back Down in Your City April 25, 2024
Today’s Song: Wifey’s “Mary Ann Leaves the Band” Is a Fun, Dumb, and Instantly Memorable Pop/Rock Debut April 25, 2024
“Bigger and Bolder and Louder”: Yot Club’s Ryan Kaiser Invites Us into the Wonderful World of ‘Rufus’ April 25, 2024
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Roundtable Discussion: A Review of Taylor Swift’s ‘The Tortured Poets Department’ April 25, 2024

© Atwood Magazine 2023 For the Love of Music

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