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The Longshot release

The Longshot © 2018

Debut, Music, Reviews April 20, 2018

Review: The Longshot is Forward-Facing Nostalgia for Billie Joe Armstrong

By James Crowley

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Brand New

Atwood Magazine’s Weekly Roundup: June 14, 2019
Interview: Forging a Path Forward with X Ambassadors
So Far Yet So Near: Questioning Distances with Mundy’s Bay’s ‘Control Room’
Our Take: Bastille Dissect the Anxiety and Euphoria of Modern Life on ‘Doom Days’
Today’s Song: Ray Silvers’ Paradisiacal “Drive” is the Perfect Song to Fall in Love To
Our Take: Noah Kahan’s Intimate ‘Busyhead’ Is a Powerfully Moving Debut Album
Interview: Foxygen Don’t Give a Fuck Anymore, and That’s Quite Alright

June 2019
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Atwood is a digital platform that seeks out visionary artists and fresh voices with the goal of promoting the arts. The Atwood team is made up of individuals from all over the world that are passionate about art and innovation. We aim to showcase not only incredible creation, but also the stories behind them.

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Recent Posts

Atwood Magazine’s Weekly Roundup: June 14, 2019 June 14, 2019
Interview: Forging a Path Forward with X Ambassadors June 14, 2019
So Far Yet So Near: Questioning Distances with Mundy’s Bay’s ‘Control Room’ June 14, 2019
Our Take: Bastille Dissect the Anxiety and Euphoria of Modern Life on ‘Doom Days’ June 14, 2019
Today’s Song: Ray Silvers’ Paradisiacal “Drive” is the Perfect Song to Fall in Love To June 14, 2019
Our Take: Noah Kahan’s Intimate ‘Busyhead’ Is a Powerfully Moving Debut Album June 14, 2019
Interview: Foxygen Don’t Give a Fuck Anymore, and That’s Quite Alright June 13, 2019
Premiere: County Line Runner’s New Single “Saw You in a Dream” Taps into an Ephemeral Magic June 13, 2019
Live Review: FRENSHIP are Captivating and Contagious at Irving Plaza June 13, 2019
Premiere: Bradley Arthur Maxwell Searches for Solace in “Easy on Me” June 13, 2019

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