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Editorials, Features, MusicAugust 25, 2017<August 25, 2017

Ruined or Reputation? Why We Can’t Stop Talking About Taylor Swift

by Kelly Wynne

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“Western Witch Rock”: Nashville’s Kitty Coen Unleashes Her Inner ‘HELLCAT’ on Impassioned & Unapologetic Debut Album
“Vinegar in a stream”: Brooklyn’s h. pruz Bares Their Soul in Debut ‘No Glory,’ an Achingly Raw Album of Change, Guilt, & Growth
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Interview: English Teacher Unleash Everything in a Chaotic, Eclectic, Beautiful Mess on ‘This Could Be Texas’
STFU, Night 1: The Secret NYC Concert Series Taking “Hush” to a Whole New Level
Album Review: With ‘All Born Screaming’, St. Vincent Reveals More of Annie Clark – And We Like Her a Lot
Today’s Song: Martí Combines Two Worlds With His Latin Pop Inspired Single “See You Again (Volverte a Ver)”

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“Western Witch Rock”: Nashville’s Kitty Coen Unleashes Her Inner ‘HELLCAT’ on Impassioned & Unapologetic Debut Album May 8, 2024
“Vinegar in a stream”: Brooklyn’s h. pruz Bares Their Soul in Debut ‘No Glory,’ an Achingly Raw Album of Change, Guilt, & Growth May 8, 2024
“It’s ok to be a work in progress”: Quiet Canyons’ Tim Williams on His Heartfelt & Therapeutic New Album ‘Chairs’ May 8, 2024
Interview: English Teacher Unleash Everything in a Chaotic, Eclectic, Beautiful Mess on ‘This Could Be Texas’ May 8, 2024
STFU, Night 1: The Secret NYC Concert Series Taking “Hush” to a Whole New Level May 8, 2024
Album Review: With ‘All Born Screaming’, St. Vincent Reveals More of Annie Clark – And We Like Her a Lot May 8, 2024
Today’s Song: Martí Combines Two Worlds With His Latin Pop Inspired Single “See You Again (Volverte a Ver)” May 7, 2024
“Timeless, Passionate, & Breathtaking”: NoLa’s Britti Spills Her Soul in ‘Hello, I’m Britti.’ a Smoldering Coming-of-Age Debut May 7, 2024
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Circling the Drain: Atlanta Rock Trio Microwave Talk New Album ‘Let’s Start Degeneracy’ May 7, 2024

© Atwood Magazine 2023 For the Love of Music

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