April 7, 2021 April 7, 2021 “From Douala to Montreal: Following the Music” – An Essay by Clerel by Guest Writer
March 24, 2021 March 24, 2021 Playlist: Maggie Rose Salutes Her Songbirds for Women’s History Month by Guest Writer
March 1, 2021 March 2, 2021 Music You Should Know: Father-Son Duo Femi Kuti & Made Kuti Carry the Standard with ‘Legacy +’ by Ben Niesen
February 18, 2021 February 18, 2021 In Memoriam: MF DOOM, The Closest Companion I Never Met by Adam Davidson
February 1, 2021 February 1, 2021 In Memoriam: SOPHIE’s Brief but Cataclysmic Career Redefined Pop Music by Sophie Prettyman-Beauchamp
January 12, 2021 January 12, 2021 Flipping the Switch: Will Taylor Swift’s Battle for Her Master Recordings Change the Music Industry for the Better? by Emily Algar
December 16, 2020 December 16, 2020 Essay: Shie Rozow on Music Editing for Shawn Mendes, Danny Elfman, & More by Guest Writer
December 15, 2020 December 22, 2020 Greta Van Fleet’s Second Act: A Hopeful Skeptic’s Anticipation of ‘The Battle at Garden’s Gate’ by Guest Writer
December 9, 2020 December 9, 2020 Essay: Rosehip Teahouse’s Faye Rogers on Gender, Mental Health, and Music by Guest Writer
November 25, 2020 November 24, 2020 On Her Side: How Cam’s “Diane” Changes Dolly Parton’s “Jolene,” and Fosters Feminist Solidarity by Erica Danielle Garcia
November 4, 2020 November 4, 2020 Essay: Happy.’s Tate Logan on His Transgender Identity & The Pop-Punk Scene by Guest Writer
August 20, 2020 August 20, 2020 A Winding Road: Brett Altman on His Search for a Sound & New EP ‘Low Overhead’ by Guest Writer
August 13, 2020 August 13, 2020 Editorial: Duwap Kaine Experiments with Sticky Electro-Trap on ‘Underdog 2’ by Ryan Feyre
For the Love of Music
For the Love of Music
