February 18, 2021 February 18, 2021 In Memoriam: MF DOOM, The Closest Companion I Never Met by Adam Davidson
February 1, 2021 February 1, 2021 In Memoriam: SOPHIE’s Brief but Cataclysmic Career Redefined Pop Music by Sophie Prettyman-Beauchamp
January 12, 2021 January 12, 2021 Flipping the Switch: Will Taylor Swift’s Battle for Her Master Recordings Change the Music Industry for the Better? by Emily Algar
December 16, 2020 December 16, 2020 Essay: Shie Rozow on Music Editing for Shawn Mendes, Danny Elfman, & More by Guest Writer
December 15, 2020 December 22, 2020 Greta Van Fleet’s Second Act: A Hopeful Skeptic’s Anticipation of ‘The Battle at Garden’s Gate’ by Guest Writer
December 9, 2020 December 9, 2020 Essay: Rosehip Teahouse’s Faye Rogers on Gender, Mental Health, and Music by Guest Writer
November 25, 2020 November 24, 2020 On Her Side: How Cam’s “Diane” Changes Dolly Parton’s “Jolene,” and Fosters Feminist Solidarity by Erica Danielle Garcia
November 4, 2020 November 4, 2020 Essay: Happy.’s Tate Logan on His Transgender Identity & The Pop-Punk Scene by Guest Writer
August 20, 2020 August 20, 2020 A Winding Road: Brett Altman on His Search for a Sound & New EP ‘Low Overhead’ by Guest Writer
August 13, 2020 August 13, 2020 Editorial: Duwap Kaine Experiments with Sticky Electro-Trap on ‘Underdog 2’ by Ryan Feyre
August 11, 2020 August 10, 2020 Let the Music Play, Pt. 2: COVID-19 & Stories from the Independent Music Industry by Guest Writer
August 10, 2020 August 11, 2020 Let the Music Play, Pt. 1: COVID-19 & Stories from the Independent Music Industry by Guest Writer
July 1, 2020 July 1, 2020 Editorial: Leah Capelle’s Debut ‘triptych’ & the Sacrilege of Dismissing Full Length Albums by Guest Writer
May 11, 2020 May 11, 2020 Every Chorus Brings Us Closer: Appreciation & Aspiration from a Middle-Aged Fanboy by Guest Writer
For the Love of Music
For the Love of Music
