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Aaron Scobie

Aaron Scobie

Vagabon & Courtney Barnett © Pooneh Ghana
Columns, Music, Today's SongJanuary 30, 2021<January 29, 2021

Today’s Song: Vagabon & Courtney Barnett Cover ‘Reason to Believe,” and It’s Enchanting

The Sofas © 2018
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: How We Try to Suppress Anxiety & Fear in The Sofas’ “Nothing Major”

my first love mends my final days - mathew lee cothran
Columns, Music, Today's SongAugust 28, 2018<August 28, 2018

Today’s Song: How We Use a Name in Mathew Lee Cothran’s “Naomi Y”

cellar belly - wished bone
Columns, Music, Today's SongAugust 14, 2018<August 14, 2018

Today’s Song: Finding Love in Mundanity Through wished bone’s “pollinate me”

Recent Posts

  • Live Review: Tokyo Tea Room Bring the Most Relaxing Concert to New York City’s Bowery Ballroom October 27, 2026
  • The Kimpton Everly, Pizza Boxes, and the Music That Shapes Our Vacations October 27, 2026
  • Feature: Nicotine Dolls Unleash Sex, Destruction, & Rock ’n’ Roll on Their Self-Titled Sophomore Record October 27, 2026
  • Relishing in the Process: The Making of Avery Friedman’s “You Move” October 27, 2026
  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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