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Aaron Scobie

Aaron Scobie

Vagabon & Courtney Barnett © Pooneh Ghana
Columns, Music, Today's SongJanuary 30, 2021<January 29, 2021

Today’s Song: Vagabon & Courtney Barnett Cover ‘Reason to Believe,” and It’s Enchanting

The Sofas © 2018
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: How We Try to Suppress Anxiety & Fear in The Sofas’ “Nothing Major”

my first love mends my final days - mathew lee cothran
Columns, Music, Today's SongAugust 28, 2018<August 28, 2018

Today’s Song: How We Use a Name in Mathew Lee Cothran’s “Naomi Y”

cellar belly - wished bone
Columns, Music, Today's SongAugust 14, 2018<August 14, 2018

Today’s Song: Finding Love in Mundanity Through wished bone’s “pollinate me”

Recent Posts

  • “This Is a Love Letter to South America”: Hermanos Gutiérrez Honor Their Heritage on “Canto Andino” August 8, 2026
  • “Falling Off of Pedestals Is Hard”: Rowena Wise Explores the Weight of Expectation on “Diamond in the Rough” August 7, 2026
  • Our Take: Dublin’s Really Good Time Balance Inner Peace Against the Chaos of a Society in Crisis on Debut Album ‘Affirmations’ August 7, 2026
  • Our Take: Ariana Grande Shares Feral Thoughts with Fans & Flames on Eighth Album, ‘Petal’ August 7, 2026
  • Editor’s Picks 162: Grace Inspace, lucky break, Josaleigh Pollett, Mal Not Bad, Isaac Neilson, & Sybil Creek! August 6, 2026
  • “Creative, Not Destructive”: Cheekface Answer the Cruelty of Trump 2 with Humor, Self-Scrutiny, & Solidarity on ‘Podium’ August 6, 2026
  • “Sing It With Me, My Love”: Alex Izenberg Finds New Light on “Old Gold,” a Sunlit Song of Memory, Wonder, & Music’s Restorative Glow August 6, 2026
  • “I Know You’re Performing”: Charli xcx Explores How the Artist Is Seen in ‘Music, Fashion, Film’ August 6, 2026
  • “Funhouse Mirror Rock”: Theophobia Restore Possibility to Rock with Their Gleefully Theatrical Self-Titled Debut August 5, 2026
  • “Caught Somewhere Between Numbness and Clarity”: Larlin Capture the Dreamlike Drift of Chronic Dissociation on “Sondheim,” an Intoxicating Alt-Rock Exorcism August 5, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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