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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

X Ambassadors 'VHS(X)' © 2025
Debut, Features, Interviews, MusicNovember 11, 2025<November 11, 2025

“A Rare Chance to Rewrite Our History”: X Ambassadors Reclaim Their Past & Redefine Their Present with ‘VHS(X),’ a Reimagining of Their Cinematic Masterpiece

Now, Now © Tom Thornton
Interviews, MusicNovember 11, 2025<November 11, 2025

“Unlearning, Unraveling, Undoing”: Now, Now Reach for Something Bigger on “Talk to God,” a Dark, Intimate, & All-Consuming Rebirth

Billy Joel Jr. © Evan Montgomery
Interviews, Music, PremieresNovember 10, 2025<November 10, 2025

Premiere: Chicago’s Billy Joel Jr. Shine Bright on “Ur a Star,” a Raw Indie Rock Anthem of Self-Worth & Sincerity

James Smith © 2025
Artist to Watch, Interviews, Music, Today's SongNovember 8, 2025<November 8, 2025

Artist to Watch: East London’s James Smith Dazzles with the Timeless, Soulful & Smoldering “Dancing with You (Baby)” – A Modern Classic in the Making

Winyah © Harrison Hargrave
Artist to Watch, Interviews, MusicNovember 6, 2025<November 7, 2025

Artist to Watch: Winyah Unleash Swagger, Grit, & Drive on “Lala,” a Feverish Anthem from One of Indie Rock’s Hottest Bands

Atwood Magazine's 136th Editor's Picks!
Columns, Editor's Picks, Features, MusicNovember 6, 2025<November 6, 2025

Editor’s Picks 136: Ber, Mini Trees, Joviale, Now, Now, Just Penelope, & The Brook & The Bluff!

Steady Hands - FRANK
Music, PremieresNovember 6, 2025<November 6, 2025

Premiere: FRANK Channels Fire & Fury into “Steady Hands,” a Blistering Alt-Rock Anthem of Survival and Defiance

Anthony Ruptak © Angela Bakas
Music, PremieresNovember 5, 2025<November 5, 2025

“An Anthem for the Apocalypse”: Anthony Ruptak Confronts Chaos, Collapse, & Connection on “PHANTASMAGORIA”

A fire dancer at 2022's Beacon Bonfire © Austin Ruffer
Events, Interviews, MusicNovember 4, 2025<November 4, 2025

A Living Signal Fire: Beacon Bonfire Music + Art Festival Lights Up the Hudson Valley with 5 Days of Creativity, Community, & Connection

Dylan Flynn And The Dead Poets © Jamie Moore
Artist to Watch, Columns, Music, Today's SongNovember 4, 2025<November 4, 2025

“I’ve Been Living Life the Wrong Way”: On “Lately,” Dylan Flynn & The Dead Poets Turn Soul-Searching into a Soaring Anthem

Laura Hickli "call it off" © Sara Kueler
Columns, Music, Today's SongNovember 3, 2025<November 3, 2025

“I Wish Things Stayed the Same”: Laura Hickli Reckons with Memory & Survival on “call it off,” a PTSD-Fueled Art Pop Fever Dream

joan © Edward Crockett
Features, Interviews, MusicOctober 31, 2025<November 6, 2025

“this won’t last forever”: joan Embrace Impermanence, Creation, & the Beauty of Living in the Grey on Their Cinematic Sophomore Album

Matt Pond PA © Jesse Dufault
Music, Music Videos, PremieresOctober 31, 2025<October 30, 2025

“Pardon the Intrusion, Could We Leave Before It Gets Bad?”: Matt Pond PA Premiere Their Long-Lost “Halloween” Video in Celebration of Several Arrows Later’s 20th Anniversary

Atwood Magazine's 135th Editor's Picks!
Columns, Editor's Picks, Features, MusicOctober 30, 2025<January 16, 2026

Editor’s Picks 135: Ax and the Hatchetmen, Savannah Conley, Henry Grace, Tough Cookie, Westside Cowboy, & Jane Leo!

The Aces 'Gold Star Baby' © Dana Trippe
Features, Interviews, MusicOctober 30, 2025<October 30, 2025

“Life Is Meant to Be Celebrated”: The Aces’ ‘Gold Star Baby’ Is a Disco-Pop Party of Liberation, Joy, & Queer Euphoria – and Everyone’s Invited!

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Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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