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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Deadbeat Girl 'Self-Destructor' © Ashley Crichton
Interviews, Music, Today's SongDecember 14, 2025<December 12, 2025

“I’m Just Too Soft”: Deadbeat Girl Reclaims Vulnerability as Power on a Volcanic Indie Rock Confession

Savannah Conley © 2025
Columns, Interviews, Music, Today's SongDecember 12, 2025<December 12, 2025

“Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth

Barbro © Jana van Brussel
Music, PremieresDecember 11, 2025<December 11, 2025

“I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance

It’s Summer, I Love You, and I’m Surrounded by Snow - Dead Gowns
Debut, Features, Interviews, Music, Track-by-TrackDecember 11, 2025<December 11, 2025

“Dark, Romantic, & Disorienting”: Dead Gowns Channels Desire and Grief into an Indie Folk Storm on Debut Album ‘It’s Summer, I Love You, and I’m Surrounded by Snow’

Nick & June © Luka Popp
Features, Interviews, Music, Track-by-TrackDecember 11, 2025<December 11, 2025

“Fragile, Euphoric, & True”: Nick & June Craft a Cinematic Rebirth on ‘New Year’s Face,’ an Intimate Meditation on Who We Were, Who We Are, and Who We Might Become

néomí © Liz van den Akker
Interviews, Music, Today's SongDecember 11, 2025<December 11, 2025

“Sit Back Baby, Let It Go”: néomí Embraces the Art of Release in a Soul-Stirring Mantra of Softness, Surrender, & Self-Love

Brian Dunne 'Clams Casino' © Marianka Campisi
Features, Interviews, MusicDecember 10, 2025<December 12, 2025

“I’ve Been Trying to Have a Good Life”: Brian Dunne Reckons Through His 30s on ‘Clams Casino,’ a Radiant Rock Record of Dreams, Disillusionment, & the Cost of Wanting More

JOSEPH © Gardenia Miramontes
Columns, Interviews, Music, Today's SongDecember 10, 2025<December 10, 2025

“I Wanna Be Closer to Me”: JOSEPH Turn Pain into Power as They Step into a Bold, Raw, & Reflective New Era with ‘Closer to Happy’

Atwood Magazine's 139th Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 9, 2025<December 9, 2025

Editor’s Picks 139: Bartees Strange, Spanish Love Songs, Dijon, Deadbeat Girl, Dutch Interior, & mildred!

St. Panther 'Strange World' EP
Features, Interviews, MusicDecember 9, 2025<December 13, 2025

“I’m Still Rooting for Us”: St. Panther on Leading With Empathy, Speaking Up When It Matters, & Crafting the Neo-Soulful Sound of ‘Strange World’

"Fell in Love with Christmas" by Toby Gad and Anthony Gargiula
Mistletones, Music, Music Videos, PremieresDecember 9, 2025<December 9, 2025

Premiere: Toby Gad and Anthony Gargiula Find Holiday Magic & a Childlike Sense of Wonder on “Fell in Love with Christmas”

Dollpile © Chlo Barkley
Columns, Interviews, Music, Today's SongDecember 9, 2025<December 9, 2025

“I Told You What I Wanted to Say”: Dollpile’s “Fake Flowers” Is a Cathartic Fuzz Folk Exhale of Exhaustion, Memory, and Emotional Unraveling

Lizzie Weber © Tim Gebauer
Music, PremieresDecember 8, 2025<December 8, 2025

“I’ll Walk All This Talk About Letting Go”: Lizzie Weber & Markéta Irglová Offer a Sacred, Soul-Stirring Invocation on “Maria”

Reem Mitten © Luca Bailey
Artist to Watch, Interviews, MusicDecember 8, 2025<December 9, 2025

Artist to Watch: London’s Reem Mitten Is Turning Feelings into Fantasies With a Soul-Stirring Voice and Songs That Ache From the Inside Out

Jade Street (Zachary Zwelling, Eli Meyuhas) and Apple Martin © Maggie London
Columns, Interviews, Music, Today's SongDecember 8, 2025<December 8, 2025

“I want to take you away”: Jade Street & Apple Martin Find Their Orbit on “Satellites,” an Achingly Intimate Reverie of Longing, Distance, & Restraint

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Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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