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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

NoSo © Driely Carter
Artist to Watch, Features, Interviews, MusicJuly 23, 2025<July 24, 2025

Interview: NoSo’s Baek Hwong on Finding Power, Comfort, and Liberation Through Vulnerable Pop Songs

Isabella&Sebastian © 767Agency
Music, PremieresJuly 22, 2025<July 22, 2025

Premiere: Isabella&Sebastian Fight Self-Sabotage in Style on “Lobbytommy,” a Smoldering Indie Pop Reverie

aleksiah © 2025
Interviews, MusicJuly 21, 2025<July 21, 2025

Interview: aleksiah Turns Perfectionism into Pop Gold on “The Hit,” an Emotionally Charged Anthem that Lives Up to Its Name

Atwood Magazine's 128th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 18, 2025<July 19, 2025

Editor’s Picks 128: The Favors, Hushtones, ROLE MODEL, Adult Mom, Zac Farro, & fanclubwallet!

Malena Zavala © Hilda Pellerano
Music, Music Videos, PremieresJuly 18, 2025<July 18, 2025

Premiere: Malena Zavala Captures Love’s Dreamlike Magic in “MELT,” a Softly Soul-Stirring Surrender to Intimacy

Stela Cole "Stereoqueen" © 2025
Interviews, MusicJuly 18, 2025<July 18, 2025

“Tonight I’m Gonna Be the Stereoqueen”: Stela Cole Is Reclaiming Her Power Through Feel-Good Music and Fearless Self-Expression

Lila Forde 'Vessel' © 2025
Debut, Features, Interviews, Music, Track-by-TrackJuly 17, 2025<July 17, 2025

“I want to be a vessel for the music”: Lila Forde Arrives with Presence, Power, & Timeless Intention on Her Smoldering, Soul-Drenched Debut Album

The Felice Brothers © Caitlin Greene
Columns, Hudson Valley Artists, MusicJuly 17, 2025<July 17, 2025

Hudson Valley Artist Spotlight: James Felice of The Felice Brothers

We the Band © Chad Brady
Artist to Watch, Columns, Debut, InterviewsJuly 16, 2025<July 16, 2025

Artist to Watch: We the Band – Justin Bieber’s Longtime Touring Powerhouse Step into the Spotlight with Cosmic Grooves & Seductive Soul

Aïda Mekonnen Caby © Justin Buschardt
Debut, Interviews, Music, PremieresJuly 16, 2025<July 16, 2025

Premiere: Aïda Mekonnen Caby Debuts with Dreamy Intimacy & Icelandic Reverie in “The Glow,” a Breathtaking Indie Folk Introduction

Selve © James Caswell
Artist to Watch, Columns, Music, ReviewsJuly 15, 2025<July 15, 2025

Artist to Watch: Australia’s Selve Embrace Camp, Absurdity, & Liberation in the Dazzling “Loki Horror Picture Show”

Atwood Magazine's 127th Editor's Picks!
Columns, Editor's Picks, Features, MusicJuly 10, 2025<July 10, 2025

Editor’s Picks 127: Stela Cole, Breagh Isabel, Debbii Dawson, aleksiah, Royel Otis, & Benson Boone!

BEL "I Want" © SJ Spreng
Artist to Watch, Interviews, MusicJuly 10, 2025<July 14, 2025

Restless Hearts & Holy Grails: BEL Channels the Ache of Ambition in “I Want,” an Intimate Anthem for Big Yearners & Sensitive Souls

Keep Good Company Records' Tina and Matt Baione © Brooklyn Zeh
Features, Interviews, MusicJuly 10, 2025<July 10, 2025

“Make the Road by Walking”: How Keep Good Company Records Is Redefining What an Indie Label Can Be

Baby Said © Lawrence Hughes
Debut, Features, Interviews, Music, Track-by-TrackJuly 9, 2025<July 9, 2025

The Best ‘BS’ You’ve Ever Heard: Baby Said Find Empowerment Through Explosive Alt-Rock on Their Loud, Liberating Debut

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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