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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Prickly Pair © Libby Danforth
Music, PremieresAugust 19, 2025<August 19, 2025

Premiere: The Prickly Pair Embrace Love’s Gamble on “Winsome Lose Some Game,” a Tender & Timeless Country Duet

ROREY © Ebru Yildiz
Music, Music Videos, PremieresAugust 14, 2025<August 14, 2025

“I Feel Too Much”: ROREY’s Cathartic & Dreamy “Wish I Was Numb” Is the Euphoric Soundtrack to Our Existential Crisis

Rosy Nolan © Jack Hackett
Music, PremieresAugust 13, 2025<August 13, 2025

Premiere: Rosy Nolan Stands Her Ground in “Rising Up,” a Gothic Country Tempest of Resistance & Resilience

Ruby Sparks © Camille Smura & Matt Blake
Music, Music Videos, PremieresAugust 13, 2025<August 13, 2025

Premiere: Ruby Sparks Embraces Peace and Love in “Pleasure,” a Jangle-Pop Song of Warmth, Vulnerability & Hard-Won Joy

Gina Zo © Hunter Carrico
Artist to Watch, Debut, Interviews, MusicAugust 13, 2025<August 13, 2025

“Messy, Beautiful, & Perfectly Imperfect”: Artist-to-Watch Gina Zo Crafts Empowering Crafts Empowering Songs You Can Dance To, Cry To, and Laugh To

Night Teacher © Alea Doronsky
Music, Music Videos, PremieresAugust 12, 2025<August 12, 2025

“In a Past Life I Was a Human Being”: Night Teacher Premieres a Spellbinding Reckoning with Home, Identity, & Transformation

Elijah Berlow © Matt Lohan
Columns, Music, Premieres, Today's SongAugust 8, 2025<August 8, 2025

Premiere: Elijah Berlow Captures the Ache of Unspoken Feelings on “impatient by the continental divide,” a Soft & Stirring Indie Folk Reverie

Atwood Magazine's 130th Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 6, 2025<August 6, 2025

Editor’s Picks 130: Olivia Dean, Ken Yates, Flock of Dimes, Angelsaur, Little Dog Star, & Glom!

Nectar Woode © Grace Pickering 2025
Features, Interviews, Music, Track-by-TrackAugust 6, 2025<August 6, 2025

“It’s the feeling of finally being at peace with your identity”: Nectar Woode Comes Home to Herself on ‘it’s like I never left’

Odhran Murphy © Aoife Moloney
Features, Interviews, Music, Track-by-TrackAugust 6, 2025<August 7, 2025

Chaos, Honesty, & the In-Between: Odhran Murphy Bares His Soul on Debut EP ‘Stuck in the Middle,’ a Folk Rock Journey of Self-Discovery and Reclamation

Jack Schneider © Annie Loughead
Music, PremieresAugust 5, 2025<August 5, 2025

Premiere: Jack Schneider’s “Stone’s Throw Away” Breathes Folk Warmth & New Life into an Early ’70s Barbara Keith Deep Cut

Upstate © Bridget Badore
Columns, Hudson Valley Artists, MusicAugust 5, 2025<August 5, 2025

Hudson Valley Artist Spotlight: Upstate

Hushtones © Jen Campbell
Artist to Watch, Interviews, MusicAugust 4, 2025<August 4, 2025

“Keep This Close to Your Heart”: Liverpool Artist-to-Watch Hushtones Shine Bright with Harmony, Warmth, & Light

Sydney Sprague © Ellie Carty
Features, Interviews, MusicAugust 1, 2025<August 1, 2025

“I’m Just a Person with a Lot of Feelings”: Sydney Sprague on Channeling Emotional Extremes into Indie Rock Catharsis

Bec Lauder and the Noise "Nobody Cares" © 2025
Artist to Watch, Interviews, Music, Music Videos, PremieresJuly 31, 2025<July 31, 2025

“Nobody Cares”: NYC’s Bec Lauder and The Noise Premiere Their Explosive Glam-Punk Anthem of Chaos, Rebellion, & Release

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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