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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Hayden Everett © Jeffrey Brundage
MusicMarch 13, 2026<March 13, 2026

“I’m a Canvas of the Place I’m In”: Hayden Everett Lets the Rain in on “Angela,” a Bittersweet Letter to Los Angeles

The Favors 'The Dream'
Debut, Features, Interviews, MusicMarch 12, 2026<March 12, 2026

Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music

Florentenes "Madeline" © Sam Crowston
Interviews, Music, Today's SongMarch 12, 2026<March 12, 2026

Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline”

Nory © Lucy Billington
Debut, Features, Interviews, MusicMarch 11, 2026<March 11, 2026

“A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’

Happy Landing © Orchee Sorker
Interviews, Music, Today's SongMarch 11, 2026<March 11, 2026

“Make That Money, Baby, Dig Your Grave”: Happy Landing Tear into the Myth of the American Dream on “The American Way”

Philine Sonny Unleashes Raw Fury on “Outrun,” a Ferocious Alt-Rock Reckoning © Emil Gentes
Interviews, Music, Today's SongMarch 10, 2026<March 10, 2026

“Echo Chamber, Promise Breaker”: Philine Sonny Unleashes Raw Fury on “Outrun,” a Ferocious Alt-Rock Reckoning

Atwood Magazine's 149th Editor's Picks!
Columns, Editor's Picks, Features, MusicMarch 9, 2026<March 9, 2026

Editor’s Picks 149: MEEK, Ray Bull, The Maine, Soda Blonde, Silverdeer, & Noshows!

Almost Heaven © Kylie Bly
Debut, Features, Interviews, MusicMarch 9, 2026<March 10, 2026

“We Came, We Saw, We Partied”: Almost Heaven Debut with a Sweaty and Feverish Disco Ball Haze on ‘RAW CRANIUM’

Gabi Hartmann © Elsa Parra
Features, Interviews, Music, Today's SongMarch 6, 2026<March 6, 2026

“I’m First and Foremost a Traveler”: Gabi Hartmann’s Mesmerizing Voice Carries Wonder, Fragility, and a World of Sound

Ava Della Pietra "3am" © Georgia Nerheim
Music, Music Videos, PremieresMarch 5, 2026<March 23, 2026

“Nothing Bad’s Gonna Happen at 3am”: Ava Della Pietra Faces the Push and Pull of Love on “3am,” a Pulsing Portrait of Hopeful Denial & Late-Night Clarity

MisterWives' Mandy Lee Is Cherry Bomb - "Never Be Me" © Matty Vogel
Debut, Interviews, Music, Today's SongMarch 5, 2026<March 5, 2026

“A Defiant Declaration of Independence”: MisterWives’ Mandy Lee Debuts as Cherry Bomb With the Liberating Disco-Pop Breakup Anthem “Never Be Me (M★therf★cker)”

Feaster "Gene"
Music, PremieresMarch 4, 2026<March 4, 2026

“Like Cauterizing a Wound or Missing Limb”: Feaster Channel Heartbreak & Loss into Fuzzed-Out Catharsis on “Gene”

Mia Nicolai "Nothing Compares to This Feeling" © Joelle Grace
Interviews, Music, Music Videos, PremieresMarch 4, 2026<March 4, 2026

“You Fall Back in Love With Life”: Mia Nicolai Bottles Joy, Rediscovery, & Human Connection on “Nothing Compares to This Feeling,” a Euphoric Pop Reverie

Carter Vail "Ants in My Room" © Makayla Keasler
Interviews, Music, Today's SongMarch 4, 2026<March 4, 2026

“Yes, It’s About Ants”: Carter Vail Turns Paranoia, Loneliness, and Absurdity into an Indie Pop Earworm on “Ants in My Room”

Emory Duncan © Breigha Marguerite Duncan
Music, PremieresMarch 3, 2026<March 3, 2026

“Your Light Leaking In Pulled the Teeth Out My Fight”: Emory Duncan Follows the Warm Light of Love Toward Home on “Halifax,” a Smoldering Folk Reverie

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Recent Posts

  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
  • Editor’s Picks 169: Jahson Paynter, Sarah Crean, St. Panther, Jaïr Faria, Sesame Girl, & Grace Robinson! October 21, 2026
  • “Something Within Us Continues to Sing”: Valerie June Makes “Trouble in Mind” Unmistakably Her Own October 20, 2026
  • “I’m Happy to Be Messy”: Adelide Dances Through the Chaos of Her Twenties on Sun-Kissed Soul Pop EP ‘The Way Up’ October 20, 2026
  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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