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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Goo Goo Dolls © Maxine Evans
Features, Interviews, MusicFebruary 26, 2025<February 26, 2025

Interview: Goo Goo Dolls’ Robby Takac Reflects on 30 Years of ‘A Boy Named Goo’ and the Band’s Never-Ending Evolution

Revelation - Leif Vollebekk
Features, Interviews, MusicFebruary 26, 2025<February 26, 2025

Interview: Leif Vollebekk on Music, Mysticism, and the Journey to ‘Revelation’

Atwood Magazine's 111th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 21, 2025<February 21, 2025

Editor’s Picks 111: Merpire, Bad Suns, Soft Loft, milk., Housewife, & Ruby Gill!

Discus © Clare Byrne
Music, PremieresFebruary 19, 2025<February 19, 2025

Premiere: Discus Ache for the ‘Good Ol’ Days’ That Never Came in “O My Stars,” a Haunting Reflection on Fleeting Youth & Fading Futures

Mumford & Sons' Marcus Mumford, Ben Lovett, and Ted Dwane © 2025
Columns, Music, Today's SongFebruary 19, 2025<February 19, 2025

“Light me up, I’m wasted in the dark”: Mumford & Sons Embrace Their Restless Hearts in “Rushmere,” a Folk Rock Fever Dream

Bartees Strange © Elizabeth De La Piedra
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025

“Super Dark Times”: Bartees Strange on Turning Fear into Fuel in ‘Horror,’ a Record of Musical & Emotional Deconstruction

Alessia Cara 'Love & Hyperbole' © Alex Loucas
Features, Interviews, MusicFebruary 14, 2025<February 14, 2025

Interview: Alessia Cara on ‘Love & Hyperbole,’ Feeling Big Feelings, and Learning to Choose Joy

Atwood Magazine's 110th Editor's Picks
Columns, Editor's Picks, Features, MusicFebruary 13, 2025<February 13, 2025

Editor’s Picks 110: James Bay, The Aces, Bren Joy, Stevie Bill, Julien Baker & TORRES, & Gabriel Jacoby!

Luke Tyler Shelton © 2025
Artist to Watch, Columns, Music, Today's SongFebruary 13, 2025<February 13, 2025

Today’s Song: Luke Tyler Shelton’s Sun-Soaked “Love on My Mind” Shines With Vintage Warmth & Timeless Sound

Disaster Kid © 2025
Music, Music Videos, PremieresFebruary 12, 2025<February 12, 2025

Premiere: Chicago’s Disaster Kid Embrace Love & Schmaltz on “Wine/Weapon”

Juice Mazelee © Dennis Thompson & Jeremiah Fristoe
Features, Interviews, Music, Track-by-TrackFebruary 12, 2025<February 12, 2025

Feature: Chicago Rapper Juice Mazelee on Legacy, Identity, and Why He’s ‘HERE NOW N FOREVER’

Julia Logan © Olof Grind
Features, Interviews, Music, Track-by-TrackFebruary 12, 2025<February 12, 2025

‘Faraway Nearby’: Julia Logan Explores Connection, Distance, & the Human Experience on Her Soul-Stirring Sophomore Album

Ziggy Alberts © Janneke Storm
Columns, Music, Today's SongFebruary 12, 2025<February 12, 2025

Today’s Song: Ziggy Alberts’ “I’m With You” Is a Sun-Kissed Celebration of Love, Adventure, & Life’s Simple Pleasures

Lucette © Sebestian Buzzalino
Music, PremieresFebruary 11, 2025<February 11, 2025

Premiere: Lucette’s “Too Soon for Sorry” Is a Smoky, Soulful Fever Dream of Regret & Late-Night Longing

bdrmm © Stew Baxter
Columns, Music, Today's SongFebruary 11, 2025<February 11, 2025

Today’s Song: bdrmm’s “John on the Ceiling” Is a Dark Wash of Shiver-Inducing Shoegaze

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
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  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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