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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

BENJAMIN - Jake Isaac
Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 2, 2024

“Soul, Stories, & Sentiments”: Jake Isaac Shines a Light on ‘BENJAMIN,’ His Beautifully Intimate Fourth Album

Clearwater Swimmers © Preston Ossman
Debut, Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 1, 2024

“Earnest, Intimate, & Resigned”: The Clearwater Swimmers Find Catharsis & Connection on Their Achingly Raw Debut

Tangerine © Miró Justad
Debut, Features, Interviews, Music, Track-by-TrackNovember 1, 2024<November 1, 2024

“I’m still alive and I’m still hungry”: Tangerine’s Expansive, Ethereal, & Bittersweet Debut, ‘You’re Still the Only One’

Soda Blonde are (L to R): Dylan Lynch, Faye O’Rourke, Donagh Seaver O’Leary, and Adam O’Regan © 2024
Columns, Music, Today's SongOctober 31, 2024<October 31, 2024

Today’s Song: Soda Blonde’s “Bully” Is an Irresistible Anthem of Angst, Brain Rot, & Inner Turmoil From Dublin’s Finest

Bermuda Search Party © Stephanie Larsen
Music, Music Videos, PremieresOctober 30, 2024<October 30, 2024

“It’s the fear of drowning that helps us swim”: Boston’s Bermuda Search Party “Shiver” Through Fear With Grace & Strength

Jake & Abe © Charlie Weinmann
Debut, Features, Interviews, Music, Track-by-TrackOctober 30, 2024<October 30, 2024

Track-by-Track: The Intoxicating Allure of Jake & Abe’s Funky, Sweaty, & Seductive Debut Album, ‘Finally!’

Devarrow © Bells Larsen
Features, Interviews, Music, Track-by-TrackOctober 29, 2024<November 7, 2024

Track-by-Track: Finding Joy in Devarrow’s Fun, Carefree, & Cathartic Fourth Album, ‘Heart Shaped Rock’

Skinny Dyck © Heather Saitz
Features, Interviews, Music, Track-by-TrackOctober 29, 2024<October 29, 2024

“Country, but not country”: Inside Skinny Dyck’s Gentle, Dreamy, and ‘Easygoing’ Sophomore Album

Gordi and SOAK © Nicola O’Reilly
Columns, Music, Today's SongOctober 28, 2024<October 27, 2024

“Everything is fleeting except you and I”: Gordi & SOAK Craft a Sacred Space in “Lunch At Dune,” a Folktronic Breath of Love and True Connection

Mk.gee "ROCKMAN" © Will Shaw
Columns, Music, Today's SongOctober 27, 2024<October 27, 2024

“Honey, just shut up and ride”: Mk.gee’s Dreamy, Seductive, & Smoldering “ROCKMAN”

Cecilia Castleman © Carly Butler
Artist to Watch, Columns, Music, Today's SongOctober 24, 2024<October 24, 2024

Today’s Song: Cecilia Castleman’s Wistful “Looking for June” Aches With the Sting of Growing Apart

Lola Young © Sophie Jones
Features, Interviews, MusicOctober 24, 2024<October 24, 2024

“Finding my voice has been a journey of resilience”: Lola Young Is Raw, Honest, Unapologetic, & Messy – and We Wouldn’t Have Her Any Other Way

Carmody and Tal Janes are Oh My Sun © Rebecca Zephyr Thomas
Debut, Music, PremieresOctober 24, 2024<October 24, 2024

Premiere: London Duo Oh My Sun Debut With “5 Pieces,” a Dreamy, Sweet, & Sun-Kissed Seduction

Stavro © Adam Turner
Music, PremieresOctober 23, 2024<October 23, 2024

“You saw it coming, but it came too quick”: Stavro Premieres “Smoke Above the Interstate,” a Soul-Stirring Song for End Times

Painted Vein © Mila Nowhere
Debut, Music, Music Videos, PremieresOctober 23, 2024<October 23, 2024

Premiere: Seattle’s Painted Vein Dwells in Darkness & Hope on Grungy “My Well”

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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