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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Queen Quail "Narcissus" © Celeste Call
Debut, Interviews, Music, Today's SongDecember 29, 2025<December 28, 2025

“You Have to Sit With Uncomfortable Feelings”: Queen Quail Transforms Ache into Resilience on “Southside,” a Smoldering, Slow-Burning Reckoning

Bartees Strange © William Minke
MusicDecember 29, 2025<December 28, 2025

“These Are Simply Songs I Love”: Bartees Strange Follows His Own Instincts on ‘Shy Bairns Get Nowt,’ an EP About Love, Legacy, & Becoming

JERUB 'The Wonder Years' © 2025
Features, Interviews, MusicDecember 29, 2025<December 28, 2025

“Maybe These Are the Wonder Years”: JERUB Embraces Presence, Uncertainty, & Becoming on His Spirited, Soul-Searching Mixtape

Atwood Magazine's 141st Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 23, 2025<December 23, 2025

Editor’s Picks 141: Witch Post, DM Arthur, TOLEDO, Sly Jr., Chelsea Jordan, & Lucia!

Hudson Freeman © Sophie B
Artist to Watch, Features, Interviews, Music, Today's SongDecember 22, 2025<December 22, 2025

“Our Personal Algorithms Have Us All Spinning Out”: Hudson Freeman on “If You Know Me” & His Search for Good Faith Human Connection

Vienna Vienna © Chloe Chippendale
Artist to Watch, Interviews, Music, Today's SongDecember 20, 2025<December 20, 2025

“Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands”

Petey USA
Features, Interviews, MusicDecember 19, 2025<December 19, 2025

“This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’

Anyhow © Gabe Drechsler
Artist to Watch, Debut, Interviews, Music, Today's SongDecember 19, 2025<December 19, 2025

“We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars

Medium Build © Tyler Krippeahne
Features, Interviews, MusicDecember 18, 2025<January 30, 2026

“I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year

Ski Team © OK McCausland
Artist to Watch, Interviews, Music, Today's SongDecember 18, 2025<January 8, 2026

“You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa”

Low.bō © Eric Jovel
Debut, Features, Interviews, Music, Track-by-TrackDecember 17, 2025<December 17, 2025

“Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’

Adult Mom's Stevie Knipe © Bao Ngo
Features, Interviews, MusicDecember 17, 2025<December 17, 2025

“Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’

Timeline - Drauve
Debut, Features, Interviews, Music, Track-by-TrackDecember 17, 2025<December 17, 2025

“It’s Like the Kind of Dream Where You Just Wanna Scream”: Drauve Channel Raw Emotion into Heavy, Shimmering Shoegaze on ‘Timeline’

mildred © 2025
Debut, Interviews, Music, Today's SongDecember 16, 2025<December 15, 2025

“Sorrow’s Just Worn Out Joy”: Oakland Newcomers mildred Linger in the Fog Between Memory & Change on “Trailer Hitch”

Atwood Magazine's 140th Editor's Picks!
Columns, Editor's Picks, Features, MusicDecember 15, 2025<December 15, 2025

Editor’s Picks 140: Hudson Freeman, Ski Team, Girl Scout, Vienna Vienna, Queen Quail, & Telescreens!

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Recent Posts

  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
  • On the Edge of Becoming: Television Skies and the Sound of New York in Motion September 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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