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Will Yarbrough

Will Yarbrough

Will Yarbrough lives outside Philadelphia. He's still waiting for Pavement to get back together. You can e-mail him at wyarbrough23@gmail.com or follow him on Twitter @willyarbrough15.

Basement © 2026
Columns, Music, Today's SongJune 10, 2026<June 10, 2026

“So Alive and So Divine”: Basement Seize the Moment on “Time Waster”

Holder © Cooper Rich
Columns, Music, Today's SongMarch 28, 2026<March 28, 2026

Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable”

Desert Collider © Andrea Casagranda
Columns, Music, Today's SongMarch 7, 2026<March 7, 2026

Today’s Song: Desert Collider Summon the Sandworm on “ThumpeRRR”

Total Wife © Sean Booz
Columns, Music, Today's SongNovember 11, 2025<November 11, 2025

Today’s Song: Total Wife Punch the Gas on “make it last”

Tucana "Spirit Bomb" © Joshua A. Fischer
Columns, Music, Today's SongOctober 31, 2025<October 30, 2025

Today’s Song: With “Spirit Bomb,” Tucana Are Prime to Blow Up

Fust "Mountain Language" © Charlie Boss
Columns, Today's SongOctober 27, 2025<October 27, 2025

Today’s Song: Fust Welcome Us into Their Home on “Mountain Language”

Flycatcher © Rebecca Lader
Debut, Features, Interviews, MusicOctober 23, 2025<October 23, 2025

Hold on Like a ‘Wrench’: How Flycatcher Tuned-Up By Letting Go

Boundary Waters © Victoria Marie
Interviews, MusicJune 27, 2025<June 27, 2025

Interview: Chicago’s Boundary Waters Find a New Way on ‘Longlost’

Why Bonnie 'Wish on the Bone' © Julia Khoroshilov
Features, Interviews, MusicSeptember 5, 2024<September 6, 2024

God Bless This Mess: Blair Howerton on Why Bonnie’s Hopeful New Album, ‘Wish on the Bone’

Broken Record © 2024
Columns, Music, Today's SongAugust 6, 2024<August 16, 2024

Today’s Song: Broken Record Go Through the “Ringer”

Shower Curtain © Juliette Boulay
Features, Interviews, MusicNovember 28, 2023<February 8, 2024

Around the Fur: A Conversation with Shower Curtain

Recent Posts

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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