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Will Yarbrough

Will Yarbrough

Will Yarbrough lives outside Philadelphia. He's still waiting for Pavement to get back together. You can e-mail him at wyarbrough23@gmail.com or follow him on Twitter @willyarbrough15.

Basement © 2026
Columns, Music, Today's SongJune 10, 2026<June 10, 2026

“So Alive and So Divine”: Basement Seize the Moment on “Time Waster”

Holder © Cooper Rich
Columns, Music, Today's SongMarch 28, 2026<March 28, 2026

Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable”

Desert Collider © Andrea Casagranda
Columns, Music, Today's SongMarch 7, 2026<March 7, 2026

Today’s Song: Desert Collider Summon the Sandworm on “ThumpeRRR”

Total Wife © Sean Booz
Columns, Music, Today's SongNovember 11, 2025<November 11, 2025

Today’s Song: Total Wife Punch the Gas on “make it last”

Tucana "Spirit Bomb" © Joshua A. Fischer
Columns, Music, Today's SongOctober 31, 2025<October 30, 2025

Today’s Song: With “Spirit Bomb,” Tucana Are Prime to Blow Up

Fust "Mountain Language" © Charlie Boss
Columns, Today's SongOctober 27, 2025<October 27, 2025

Today’s Song: Fust Welcome Us into Their Home on “Mountain Language”

Flycatcher © Rebecca Lader
Debut, Features, Interviews, MusicOctober 23, 2025<October 23, 2025

Hold on Like a ‘Wrench’: How Flycatcher Tuned-Up By Letting Go

Boundary Waters © Victoria Marie
Interviews, MusicJune 27, 2025<June 27, 2025

Interview: Chicago’s Boundary Waters Find a New Way on ‘Longlost’

Why Bonnie 'Wish on the Bone' © Julia Khoroshilov
Features, Interviews, MusicSeptember 5, 2024<September 6, 2024

God Bless This Mess: Blair Howerton on Why Bonnie’s Hopeful New Album, ‘Wish on the Bone’

Broken Record © 2024
Columns, Music, Today's SongAugust 6, 2024<August 16, 2024

Today’s Song: Broken Record Go Through the “Ringer”

Shower Curtain © Juliette Boulay
Features, Interviews, MusicNovember 28, 2023<February 8, 2024

Around the Fur: A Conversation with Shower Curtain

Recent Posts

  • “Never Grow Up, Never Go Home”: “Lost Boys” Finds Phoebe Bridgers Back in the Fast Lane July 11, 2026
  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
  • “The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’ July 9, 2026
  • “Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance July 9, 2026
  • “Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love July 9, 2026
  • “In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony July 9, 2026
  • Atwood Magazine’s Weekly Roundup: July 8, 2026 July 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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