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Aaron Scobie

Aaron Scobie

Vagabon & Courtney Barnett © Pooneh Ghana
Columns, Music, Today's SongJanuary 30, 2021<January 29, 2021

Today’s Song: Vagabon & Courtney Barnett Cover ‘Reason to Believe,” and It’s Enchanting

The Sofas © 2018
Music, PremieresSeptember 6, 2018<September 6, 2018

Premiere: How We Try to Suppress Anxiety & Fear in The Sofas’ “Nothing Major”

my first love mends my final days - mathew lee cothran
Columns, Music, Today's SongAugust 28, 2018<August 28, 2018

Today’s Song: How We Use a Name in Mathew Lee Cothran’s “Naomi Y”

cellar belly - wished bone
Columns, Music, Today's SongAugust 14, 2018<August 14, 2018

Today’s Song: Finding Love in Mundanity Through wished bone’s “pollinate me”

Recent Posts

  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
  • “I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too January 28, 2026
  • “Who Gives a F*** About Landing?”: Spanish Love Songs Are Making Music for People Who Are Still in It January 27, 2026
  • “Am I faking or just mistaken?”: Cormac Trusts His Gut and Finds His Sound on “Defenceless” January 27, 2026
  • Essay: Front Row Salvation January 27, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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