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Aileen Goos

Switchfoot & Buddy Guy © 2025

Columns, Interviews, Music, Today's SongApril 15, 2025<April 15, 2025

Interview: Switchfoot Pay Electrifying Tribute to Blues’ “Last Man Standing” in a Fiery Anthem ft. Buddy Guy

Nicotine Dolls © Katie Kauss

Debut, Music, ReviewsMarch 7, 2025<March 9, 2025

Review: Nicotine Dolls Offer an Unabashed Attempt at Being Romantic on Their Debut LP

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Today’s Song: YUNGBLUD’s “Lovesick Lullaby” Is a Brit-Rock Blitz April 27, 2025
Lorde Invites Heartbreaking Praise in “What Was That” April 26, 2025
“Fully and Unadulteratedly Mine”: d4vd Reflects on Personal Evolution, the Art of Worldbuilding, and Beauty in Serendipitous Timing on ‘WITHERED’ April 25, 2025
Interview: Samia’s ‘Bloodless’ Is a Return to Form and Reclamation of Self April 25, 2025
Essay: “Let Me Travel Like a Trail” by Coby Brown April 25, 2025
Adam Melchor & Mt. Joy Deliver a Timeless Folk Classic in “Room on Your Shoulder,” a Heartfelt Ode to Friendship, Vulnerability, & Human Connection April 25, 2025
“I Was Trying to Be Loved”: Martha Wainwright Reflects on 20 Years of Music, Family, & Finding Herself April 24, 2025
Our Take: Bon Iver’s ‘SABLE, fABLE’ Is a Love Letter from Sorrow to Salvation April 24, 2025
Interview: Gemma Laurence Grants Amnesty to Her Past and Looks Forward in “Bloodlines” April 23, 2025
Premiere: Lucy Kruger & The Lost Boys Return with “Reaching,” a Slow Burn of Noise and Silence April 23, 2025

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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