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Ankita Bhanot

2025’s Outside Lands brought approximately 75,000 people per day, generating over $70 million for the San Francisco economy. © Alive Coverage

Festival, Music, ReviewsAugust 14, 2025<August 14, 2025

Outside Lands 2025 Boasts Thrilling Night Shows & Rising Costs

Chappell Roan performs at Outside Lands 2024

Festival, Music, ReviewsSeptember 10, 2024<September 10, 2024

Review: Outside Lands Boasts Queer and Bay Area Pride in Its Sixteenth Year

BJ the Chicago Kid © Micaiah Carter

Features, Interviews, MusicJune 14, 2023<June 14, 2023

“A healed person will make better music”: BJ the Chicago Kid Leads With Self-Care

Maggie Rogers © Ankita Bhanot

Concerts, Music, ReviewsMay 23, 2023<May 23, 2023

Concert Review: Maggie Rogers Lights Up San Francisco Stage on ‘Feral Joy’ Tour

Dror © Nikoli Partiyeli

Features, Interviews, MusicFebruary 13, 2023<February 14, 2023

Feature: Indie Pop Artist Dror Embraces Change in the New Year

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Recent Posts

“I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
“I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
“What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
“Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
“There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
“We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
“I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
“I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
“Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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