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Anna Madison

Django Django © Horacio Bolz

Columns, Music, Today's SongAugust 15, 2026<August 15, 2026

“Dirty Hotel Blues”: Django Django and Nostalgia for Things That Weren’t Actually Good

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“Dirty Hotel Blues”: Django Django and Nostalgia for Things That Weren’t Actually Good August 15, 2026
Editor’s Picks 163: Sebastian Schub, Aubory Bugg, Tig3r Lewis, Roe Kapara, Jack Cullen, & Marfa! August 14, 2026
“To Name It Is to Overpower It”: Hank Heaven Lets Their Guard Down on “Thread” and Comes Out Swinging on ‘Welterweight’ August 14, 2026
“We’re Just Trying to Represent Ourselves”: Sailor Honeymoon Channel Life’s Frustrations into Playful Indie-Punk Rebellion on Their Irrepressible Debut Album August 14, 2026
“I’ve Always Wanted to Be Chosen”: Dani Stocksdale Turns 20-Something Yearning and Uncertainty into Dreamy Indie Pop on ‘Whatever This Is’ August 14, 2026
“I can’t see any stars in the sky”: Phoebe Bridgers Comes Back to Earth on ‘Lost Weekend’ August 14, 2026
“It’s a Sick Twist of Fate and It Chills Me”: Don’t Tell Iris Wrestle with the Past’s Pull on “Through the Gate,” a Haunted Alt-Rock Reckoning August 13, 2026
“I Want to Be Known”: Oh Louise Debuts with Melodic Grace, Bruising Honesty, and Haunting Intimacy on “Do You Lie To Everyone” August 13, 2026
“I’ve Lost the Feeling of How to Be Loved by You”: Portair & Joy Williams Grieve the Slow End of Love with Haunting Indie Folk Beauty August 13, 2026
“I Spent My Life Feeling ‘A Little Off’”: An Essay by Kind Villain’s EV Frederick August 13, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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