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Anu Sarode

Anu Sarode

Anu Sarode is based in Los Angeles. In her free time she collects records to play on her temperamental and oft-malfunctioning 1975 Technics turntable, and CDs to play in her sexy and stalwart 2019 Nissan Rogue.

Finn Wolfhard © Louie Nice
Features, Interviews, MusicJuly 13, 2026<July 13, 2026

Finn Wolfhard Thinks Great Art Should Leave Fingerprints

Geese's Halloween 2025 Show © Lewis Evans
Concerts, Music, ReviewsNovember 6, 2025<November 6, 2025

‘Geese-O-Ween’ Review: Geese Reaffirm Their Status as the Hottest Ticket This Fall at Spellbinding San Diego Show

Getting Killed by Geese
Music, ReviewsOctober 3, 2025<October 3, 2025

Geese: ‘Getting Killed’ Never Sounded So Good

Nostalgia Tracks: 24 Years Later, Why “Mississippi” Is Still Bob Dylan’s Best Song
Columns, Music, Nostalgia TracksSeptember 30, 2025<September 30, 2025

Nostalgia Tracks: 24 Years Later, Why “Mississippi” Is Still Bob Dylan’s Best Song

Youth Lagoon © Tyler T Williams
Columns, Music, Today's SongFebruary 25, 2025<February 25, 2025

Today’s Song: On “Speed Freak,” Youth Lagoon Shows He’s Not Slowing Down Anytime Soon

Recent Posts

  • “Looking for the Light in Dark Places”: Dublin’s Big Sleep Embrace Life’s Holy Shows Through Beautifully Unruly Indie Rock September 8, 2026
  • Editor’s Picks 166: Kareen Lomax, Oskar Haag, Gang of Youths, Babehoven, Cavetown, & Hannah Cole! September 7, 2026
  • “Got Myself My Mojo Back”: Oh Pray Tell Summon Protection and Ancestral Memory on “Poor Black Woman Blues” September 7, 2026
  • OLIWIA MOON Blurs the Line Between Sleep and Reality on “Lucid Dream” September 6, 2026
  • The Moment Before Impact: Bird Maps the Wreckage of a Relationship on “The Car” September 5, 2026
  • Atwood Magazine’s Weekly Roundup: September 4, 2026 September 4, 2026
  • “Music Heals”: An Essay by Matthew Baione September 4, 2026
  • “It Feels Like My Comeback to Myself”: Medium Build Makes Himself at Home on ‘King of Having Fun,’ a Celebration of Life on His Own Terms September 4, 2026
  • “I Wanna Love My Death Drive”: Eliza Edens Flirts with the Limit on “Death Drive,” a Charged Indie Rock Reckoning with Chaos & Self-Acceptance September 3, 2026
  • “I Want to Maintain That Softness”: Cautious Clay on ‘High Noon’ and the Value of Staying Open September 3, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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    • Music You Should Know
    • Nostalgia Tracks
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