• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Anu Sarode

Anu Sarode

Anu Sarode is based in Los Angeles. In her free time she collects records to play on her temperamental and oft-malfunctioning 1975 Technics turntable, and CDs to play in her sexy and stalwart 2019 Nissan Rogue.

Finn Wolfhard © Louie Nice
Features, Interviews, MusicJuly 13, 2026<July 13, 2026

Finn Wolfhard Thinks Great Art Should Leave Fingerprints

Geese's Halloween 2025 Show © Lewis Evans
Concerts, Music, ReviewsNovember 6, 2025<November 6, 2025

‘Geese-O-Ween’ Review: Geese Reaffirm Their Status as the Hottest Ticket This Fall at Spellbinding San Diego Show

Getting Killed by Geese
Music, ReviewsOctober 3, 2025<October 3, 2025

Geese: ‘Getting Killed’ Never Sounded So Good

Nostalgia Tracks: 24 Years Later, Why “Mississippi” Is Still Bob Dylan’s Best Song
Columns, Music, Nostalgia TracksSeptember 30, 2025<September 30, 2025

Nostalgia Tracks: 24 Years Later, Why “Mississippi” Is Still Bob Dylan’s Best Song

Youth Lagoon © Tyler T Williams
Columns, Music, Today's SongFebruary 25, 2025<February 25, 2025

Today’s Song: On “Speed Freak,” Youth Lagoon Shows He’s Not Slowing Down Anytime Soon

Recent Posts

  • “The Beauty Is a Strategy”: Laila Smith Conjures a Spellbinding World of Grief, Games, & Tenderness on ‘Something Dreadful Is Going to Happen,’ Her Visionary Debut EP October 20, 2026
  • “Two Things Can Be True”: Lottie McLeod Embraces Heartbreak & Hilarity on ‘The Boathouse,’ a Coming-of-Age Indie Pop Triumph October 20, 2026
  • Music & Cities: Aitana’s ‘CUARTO AZUL’ in València, Spain October 20, 2026
  • Nick Stefanacci Captures a Late-Night Allure on “Midnight Affair” October 20, 2026
  • “There’s a Lot of Freedom in Letting Go”: MUANH Reclaims Her Voice on ‘hush,’ a Spellbinding Debut of Love and Self-Trust October 19, 2026
  • “Dream or Die”: N8NOFACE on Sobriety, Keeping His Inner Child Alive, and ‘Tomorrow’s World’ October 19, 2026
  • “We Don’t Make Content”: Sunday Mourners Understand Rock and Roll Is Art October 19, 2026
  • “Let’s Crawl into the Arms of Love”: Oh Wonder Face the Darkness Together on “Mad World,” a Heartfelt Anthem of Hope October 19, 2026
  • Roundtable Discussion: A Review of Madonna’s ‘CONFESSIONS II’ October 16, 2026
  • “I Didn’t Realize I Could Just Be a Sandwich”: Chammeili on Imagination, Identity, and Releasing on Instinct October 16, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services