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Anu Sarode

Anu Sarode

Anu Sarode is based in Los Angeles. In her free time she collects records to play on her temperamental and oft-malfunctioning 1975 Technics turntable, and CDs to play in her sexy and stalwart 2019 Nissan Rogue.

Geese's Halloween 2025 Show © Lewis Evans
Concerts, Music, ReviewsNovember 6, 2025<November 6, 2025

‘Geese-O-Ween’ Review: Geese Reaffirm Their Status as the Hottest Ticket This Fall at Spellbinding San Diego Show

Getting Killed by Geese
Music, ReviewsOctober 3, 2025<October 3, 2025

Geese: ‘Getting Killed’ Never Sounded So Good

Nostalgia Tracks: 24 Years Later, Why “Mississippi” Is Still Bob Dylan’s Best Song
Columns, Music, Nostalgia TracksSeptember 30, 2025<September 30, 2025

Nostalgia Tracks: 24 Years Later, Why “Mississippi” Is Still Bob Dylan’s Best Song

Youth Lagoon © Tyler T Williams
Columns, Music, Today's SongFebruary 25, 2025<February 25, 2025

Today’s Song: On “Speed Freak,” Youth Lagoon Shows He’s Not Slowing Down Anytime Soon

Recent Posts

  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
  • A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers May 11, 2026
  • Editor’s Picks 154: Borderline, Fiona-Lee, verygently, Adrian Lyles, Winyah, & Kat Cunning! May 8, 2026
  • Atwood Magazine’s Weekly Roundup: May 8, 2026 May 8, 2026
  • Roundtable Discussion: A Review of BTS’ ‘ARIRANG’ May 8, 2026
  • “We’ve Been Alone in This Long Enough”: An Essay by Aubrie Sellers May 8, 2026
  • Daniel Arison Turns Emotional Whiplash into Something Deeply Personal on “Sad” May 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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