• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Ashley Littlefield

Ashley Littlefield

Ashley Littlefield is a music journalist and multimedia artist based in Orange County and Los Angeles. She holds two Bachelor of Fine Arts degrees in Creative Photography and Illustration from California State University, Fullerton. Rooted in alternative and indie music, her passion was sparked at local shows she attended in high school, shaping both her creative and professional journey. Ashley captures moments on film, writes with heart, and follows wherever the music takes her.

Kings of Leon © Lachlan Duthie
Music, ReviewsJanuary 7, 2026<January 7, 2026

“Dream About Beaches”: Kings of Leon Bask in the Glow of a Fresh Sonic Space on ‘EP #2’

Max Kuehn © 2025
Columns, Music, Today's SongDecember 13, 2025<December 12, 2025

“I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’

Tinlicker © Meesterwerk
Columns, Music, Today's SongDecember 7, 2025<December 7, 2025

“I Want My Freedom”: Tinlicker Ignite Independence As a Trio On Their Emotive Electronic Anthem

Mandy, Indiana © Charles Gall
Columns, Music, Today's SongDecember 1, 2025<December 1, 2025

“Tu peux courir”: Mandy, Indiana Run to Healing with the Electrifying “Magazine”

Evan Honer 'Everything I Wanted' © Harrison Hargrave
Features, Interviews, MusicNovember 14, 2025<December 14, 2025

“Electric, Chronological, & Real”: Evan Honer Reflects on ‘Everything I Wanted’ and Finding Joy on the Open Road

Tie you down - HAIM x Bon Iver
Columns, Music, Today's SongNovember 6, 2025<November 6, 2025

“I Don’t Want to Hold You Back”: HAIM & Bon Iver Linger in Love’s Afterglow on “Tie you down,” a Tender Soundtrack to Longing & Letting Go

BEL © SJ Spreng
Columns, Music, Today's SongOctober 29, 2025<October 29, 2025

“Feel the Wind”: BEL Embraces an Ethereal Feeling with Her “Parachute”

Avery Cochrane © Rachel Bennett
Columns, Music, Today's SongOctober 20, 2025<October 20, 2025

“Will She Waste into the Kind of Woman Everyone Likes?”: Avery Cochrane Shines a Light in “Shapeshifting on a Saturday Night,” an Intimate Reflection on Vulnerability

Blood Orange © Vinca Petersen
Columns, Music, Today's SongOctober 8, 2025<October 8, 2025

“In the Fields Trying to Hide”: Blood Orange Creates a Sunlit Escape from Grief on “Countryside”

Tame Impala © Irie Calkins
Columns, Music, Today's SongOctober 4, 2025<October 4, 2025

“It’s Far Too Late, the Time Has Come”: Tame Impala Shadows a Haunting Anthem with “Dracula” Ahead of Fifth Studio Album ‘Deadbeat’

Florence + the Machine © Autumn de Wilde
Columns, Music, Today's SongSeptember 10, 2025<September 3, 2025

“Extraordinary and Normal”: Florence + The Machine Uproots Magic, Making “Everybody Scream”

Avalon © Andrea Riba
Interviews, MusicSeptember 5, 2025<September 5, 2025

Interview: Avalon Paints a Sonic Cityscape with ‘permanent californian’

Of Monsters and Men © Eva Schram
Columns, Music, Today's SongAugust 28, 2025<August 28, 2025

“Farewell, My Dreaded Fear”: Of Monsters and Men Return Home as an “Ordinary Creature” in a Tender Ode to Vulnerability & Belonging

Tame Impala's Kevin Parker © Julian Klincewicz
Columns, Music, Today's SongAugust 19, 2025<October 4, 2025

Today’s Song: Tame Impala Paints an “End of Summer” Soundscape Sundrenched In Color, Rhythm, & Nostalgia

Glass Animals © DFR
Columns, Music, Today's SongAugust 11, 2025<August 15, 2025

“Like a rock star gone too far”: Glass Animals Bring Swagger & Bite to Their Fresh Fruit Series with “Vampire Bat”

Posts pagination
1 2

Recent Posts

  • “We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling” January 9, 2026
  • Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread January 8, 2026
  • “Rudimentary Questions About the Afterlife”: TOLEDO Embrace Wonder and the Unknown with Dreamy Grace on “Nothing Yet” January 8, 2026
  • “Dream About Beaches”: Kings of Leon Bask in the Glow of a Fresh Sonic Space on ‘EP #2’ January 7, 2026
  • Interview: Fiji Blue’s Trevor Dering Gets Candid on ‘Hug’ and the Moments That Shaped His Music January 7, 2026
  • “Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving” January 7, 2026
  • The Best Music of 2025, According to Our Favorite Artists! January 7, 2026
  • Essay: Damn You, Music January 6, 2026
  • Learning to Witness Yourself: Annika Bennett on the Intimacy, Permission, and Surrender of ‘Triple Shooting Star’ January 6, 2026
  • Essay: Roll Over Beethoven, Tell Tchaikovsky the News! January 6, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services