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Celia

Celia is currently attending college and hopes to study English in the future. She loves bad jokes, traveling and York Peppermint Patties.

Features, Interviews, MusicFebruary 2, 2015<February 3, 2015

A Conversation with Emilíana Torrini

Concerts, Music, ReviewsSeptember 29, 2014<September 29, 2014

Rubblebucket pulls out stops, in a dramatic concert

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Recent Posts

Live Review: The Hayley Williams Show Takes Center Stage at the Hollywood Bowl Just Hours After Receiving an Unwanted Message From the DHS October 15, 2026
“At the Intersection of Smart and Stupid”: Nashville’s Big Guy & The Very Large Men Celebrates the Glorious Mess of Being Alive Through Dreamy, Campy, Y’allternative Songs October 15, 2026
“Everything Is an Opera Around Me”: Charlene Kaye Crowns Herself King Mei Mei on “Slow Strobe Light,” a Volcanic Debut Fueled by Heartbreak & Hard-Won Freedom October 15, 2026
“A Big Joyful Loud Mess”: Stella Dunai Finds the Courage to Connect on “Move on!” October 14, 2026
Our Take: Turnstile Push the Boundaries of the Remix Album on ‘NEVER ENOUGH: VERSIONS’ October 14, 2026
Baby Rose Turns Heartbreak into Self-Preservation on “Better,” a Soulful Reflection on Missing Someone While Still Choosing Yourself October 13, 2026
“Got Some Damage I Can Show Ya”: The Upsides Confront Adulthood’s Chaos Together on ‘In the Maze,’ a Roaring, Cathartic Indie Rock Reckoning October 13, 2026
“Every Step I Fall”: Antonio Miguel Areia Dances with Desperation on “Zugzwang,” a Seductive Debut of His ‘Evil Bossa’ Sound October 13, 2026
“Powerful, Soft, & Sincere”: Wilby Lays Her Soul Bare on ‘Center of Affection,’ an Intimate Indie Rock Debut Fueled by Love, Reckoning, and Hard-Won Tenderness October 13, 2026
“How Do We Make It Better?”: Eliza Hull Reckons with the Distance Inside Love on “Better,” a Soul-Stirring Slow-Burn of Doubt and Devotion October 12, 2026

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music

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