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Christopher Snyder

Christopher Snyder

Lindsay Lou © Dana Kalachnik
Features, Interviews, MusicAugust 25, 2023<August 25, 2023

Interview: Lindsay Lou, an Artist Who Pours Her Heart into Her Music

My Morning Jacket at The Peach Music Festival 2023 © AJ Kinney
Festival, Music, ReviewsAugust 14, 2023<August 14, 2023

Review: The Peach Music Festival ’23 Brings Joy to Thousands at Montage Mountain!

Sierra Ferrell © Jay Strausser
Features, Interviews, MusicJune 30, 2023<June 16, 2023

A Star On The Rise: Sierra Ferrell, From Busking in West Virginia to the Spotlight

Peach Music Festival 2023
Festival, Music, PreviewsJune 16, 2023<June 16, 2023

Preview: The 2023 Peach Music Festival Brings Music on the Mountain

The Travelin' McCourys © Taylor Lewis Photography
Festival, Music, ReviewsJune 6, 2023<June 6, 2023

Review: DelFest 2023 Brings Music to Fill the Cumberland Air

Delfest 2023
Festival, Music, PreviewsMay 17, 2023<May 17, 2023

Preview: DelFest 2023 Features Some of the Brightest Stars in Bluegrass Today

Karina Rykman © Steph Port
Features, Interviews, MusicSeptember 5, 2022<September 5, 2022

Bringing the Bass: An Interview with Karina Rykman

The Peach Music Festival 2022
Festival, Music, ReviewsJune 23, 2022<June 23, 2022

Preview: The Peach Music Festival Returns to Scranton for Its 10th Anniversary

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services