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Christopher Snyder

Christopher Snyder

Lindsay Lou © Dana Kalachnik
Features, Interviews, MusicAugust 25, 2023<August 25, 2023

Interview: Lindsay Lou, an Artist Who Pours Her Heart into Her Music

My Morning Jacket at The Peach Music Festival 2023 © AJ Kinney
Festival, Music, ReviewsAugust 14, 2023<August 14, 2023

Review: The Peach Music Festival ’23 Brings Joy to Thousands at Montage Mountain!

Sierra Ferrell © Jay Strausser
Features, Interviews, MusicJune 30, 2023<June 16, 2023

A Star On The Rise: Sierra Ferrell, From Busking in West Virginia to the Spotlight

Peach Music Festival 2023
Festival, Music, PreviewsJune 16, 2023<June 16, 2023

Preview: The 2023 Peach Music Festival Brings Music on the Mountain

The Travelin' McCourys © Taylor Lewis Photography
Festival, Music, ReviewsJune 6, 2023<June 6, 2023

Review: DelFest 2023 Brings Music to Fill the Cumberland Air

Delfest 2023
Festival, Music, PreviewsMay 17, 2023<May 17, 2023

Preview: DelFest 2023 Features Some of the Brightest Stars in Bluegrass Today

Karina Rykman © Steph Port
Features, Interviews, MusicSeptember 5, 2022<September 5, 2022

Bringing the Bass: An Interview with Karina Rykman

The Peach Music Festival 2022
Festival, Music, ReviewsJune 23, 2022<June 23, 2022

Preview: The Peach Music Festival Returns to Scranton for Its 10th Anniversary

Recent Posts

  • Dancing Out of the Male Gaze with Paris Paloma’s “Good Girl” January 31, 2026
  • Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver! January 30, 2026
  • “All I’ll say is my dreams are really coming true”: A Little “Gentleman Shit” Goes a Long Way with Lily Meola on “Never Kissed a Cowboy” January 30, 2026
  • “Streets of Minneapolis”: Bruce Springsteen Pens a Song for a Dark Moment in American History January 30, 2026
  • Interview: Montreal Darlings The Dears on the Ups, the Downs, and the In-Betweens January 29, 2026
  • “You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge” January 29, 2026
  • “Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home January 29, 2026
  • “It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’ January 28, 2026
  • “If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album January 28, 2026
  • “I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too January 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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  • Contact
  • Bio Services