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Cynthia Liu

Cynthia Liu

I'm a third culture kid, originally from Hong Kong, grew up in Bangkok, left my heart in Southern California, and currently pursuing my dreams in New York City! I love all things dance and film. cynthialiu91.wordpress.com

VideoOctober 1, 2014<October 1, 2014

Cinética – Capturing the Beauty of Everyday Movements

Interviews, VideoAugust 19, 2014<August 19, 2014

A Conversation with Kate Duhamel of Fountain 3 Films

Features, VideoJuly 30, 2014<July 30, 2014

“Lost in Motion II” – Reimagining Dance

Features, Interviews, Photography, VideoJuly 3, 2014<August 20, 2024

A Conversation with Natalie Deryn Johnson (NatalieInMotion)

Recent Posts

  • Today’s Song: Metalcore Band Holder Push Past the Pain on “Inconsolable” March 28, 2026
  • Atwood Magazine’s Weekly Roundup: March 27, 2026 March 27, 2026
  • “Homegrown American Adventure”: HAPPY LANDING Turn Toward the Light on ‘Big Sun,’ a Bold and Expansive Folk Rock Triumph March 27, 2026
  • The Best Sounds from SXSW 2026 March 27, 2026
  • Roundtable Discussion: A Review of Mumford & Sons’ ‘Prizefighter’ March 27, 2026
  • “She’s a Cold Hearted Killer”: A Look at “Gentleman,” Towa Bird’s Rock ‘n’ Roll Love Letter March 27, 2026
  • “Consecutive Thuds from Executive Thugs”: Nashville’s Palm Ghosts Confront Capitalism’s Grip with Indie Rock Urgency on “Walk Into Your New Life” March 26, 2026
  • “Embracing Innovation, Bei Bei Style”: An Essay by Bei Bei for Women’s History Month March 26, 2026
  • “In the Silence There Is Truth”: Bandits on the Run Find Beauty in Letting Go on “Rough Magic,” a Dreamy Folk Reverie March 26, 2026
  • “I don’t kiss and tell, I just kiss and sing”: Keni Titus Confronts Her Wandering Eyes on “hands to myself,” a Smoldering Indie Folk Confessional March 26, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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