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Danny Dyer

Danny Dyer

Danny Dyer is strikingly handsome, overwhelmingly intelligent, and constantly sarcastic. Teetering somewhere in the vague space between a junior and senior at San Diego State University, he is an English major with a minor in marketing. He has contributed pieces for such publications as Malibu Magazine, Off the Rails Magazine and The Daily Aztec. You will most commonly find him in the center of attention, orbited by a laughing crowd, or reading under a shaded tree. When he’s not hunched over his weathered desk he is most likely shooting photos with his brother Petey and/or being loud in otherwise hushed public locations.

BROCKHAMPTON © 2017
Columns, Music, Music You Should KnowFebruary 21, 2018<February 20, 2018

Reflecting on BROCKHAMPTON’s 2017 Saturation and the Influential “GUMMY”

Lil Xan
Columns, Music, Today's SongNovember 30, 2017<November 30, 2017

Today’s Song: Lil Xan’s “Betrayed” Is a Cautionary Ode to Hip-Hop’s Benzo-Binging Culture

Vundabar © 2017
Columns, Music, Today's SongNovember 21, 2017<April 26, 2018

Today’s Song: Vundabar’s Burning Catchiness with New Single “Acetone”

Slothrust © Ebru Yildriz
Columns, Music, Nostalgia TracksOctober 26, 2017<October 26, 2017

Nostalgia Tracks: The Resurrection of Grunge, Slothrust and the Hollowness of the Human Condition

Music, Today's SongOctober 12, 2017<October 12, 2017

Today’s Song: The Uncanny One-Two Punch of Humor and Hip Hop, Introducing Rich Chigga

Recent Posts

  • Atwood Magazine’s Weekly Roundup: September 4, 2026 September 4, 2026
  • “Music Heals”: An Essay by Matthew Baione September 4, 2026
  • “It Feels Like My Comeback to Myself”: Medium Build Makes Himself at Home on ‘King of Having Fun,’ a Celebration of Life on His Own Terms September 4, 2026
  • “I Wanna Love My Death Drive”: Eliza Edens Flirts with the Limit on “Death Drive,” a Charged Indie Rock Reckoning with Chaos & Self-Acceptance September 3, 2026
  • “I Want to Maintain That Softness”: Cautious Clay on ‘High Noon’ and the Value of Staying Open September 3, 2026
  • Roundtable Discussion: A Review of Olivia Rodrigo’s ‘you seem pretty sad for a girl so in love’ September 3, 2026
  • “Tolerance Is Different From Love”: The Army, The Navy Let the “Walls” Cave In on a Shiver-Inducing Indie Folk Reckoning With Self-Worth September 2, 2026
  • “I’m Building a Kingdom in My Soul”: Alabama Shakes Set the Air on Fire Again on ‘I Must Be Dreaming,’ a Soul-Shaking, Triumphant Return September 2, 2026
  • “Let’s Trust Our Guts”: Brennan Wedl Exits the Supervoid on Her Grungy, Twangy Self-Titled LP September 2, 2026
  • “You Can Delete the Photos and Still Keep Making Space for Them”: Gabriel Dinero Confronts the Ghosts of Lost Love on “Apariciones” September 2, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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