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Danny Dyer

Danny Dyer

Danny Dyer is strikingly handsome, overwhelmingly intelligent, and constantly sarcastic. Teetering somewhere in the vague space between a junior and senior at San Diego State University, he is an English major with a minor in marketing. He has contributed pieces for such publications as Malibu Magazine, Off the Rails Magazine and The Daily Aztec. You will most commonly find him in the center of attention, orbited by a laughing crowd, or reading under a shaded tree. When he’s not hunched over his weathered desk he is most likely shooting photos with his brother Petey and/or being loud in otherwise hushed public locations.

BROCKHAMPTON © 2017
Columns, Music, Music You Should KnowFebruary 21, 2018<February 20, 2018

Reflecting on BROCKHAMPTON’s 2017 Saturation and the Influential “GUMMY”

Lil Xan
Columns, Music, Today's SongNovember 30, 2017<November 30, 2017

Today’s Song: Lil Xan’s “Betrayed” Is a Cautionary Ode to Hip-Hop’s Benzo-Binging Culture

Vundabar © 2017
Columns, Music, Today's SongNovember 21, 2017<April 26, 2018

Today’s Song: Vundabar’s Burning Catchiness with New Single “Acetone”

Slothrust © Ebru Yildriz
Columns, Music, Nostalgia TracksOctober 26, 2017<October 26, 2017

Nostalgia Tracks: The Resurrection of Grunge, Slothrust and the Hollowness of the Human Condition

Music, Today's SongOctober 12, 2017<October 12, 2017

Today’s Song: The Uncanny One-Two Punch of Humor and Hip Hop, Introducing Rich Chigga

Recent Posts

  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
  • “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band September 30, 2026
  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
  • Our Take: Bolden. Take Bold Strides into Jazz Fusion with the Sleek, Sultry ‘Who you really are.’ September 29, 2026
  • “A More Open and Honest SNACKTIME”: Philadelphia Favorites Bring Their Live Energy & Widescreen Ambition to “Can’t Imagine Why You’d Stay” September 28, 2026
  • “More People Equals More Life”: Martin Luke Brown’s Joyfully Chaotic ‘life & death etc’ Is a Hazy, Soulful Celebration of Feeling Everything September 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • Columns
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    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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  • New Music Calendar
  • 2025 Artists to Watch
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