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David Buyze

David Buyze

David is a writer on music and culture for Atwood Magazine. He has a PhD from University of Toronto, and is a professor at several universities including TCU where he teaches courses on David Bowie; British Music & Memoir; and Music, Fashion & Style in the MLA program. He enjoys exploring innovative ways to write on music and culture and review music through the prism of his own experience and as a surveyor of cultural dynamics. David views the transformative power of music as an existential force that transcends cultures, identities, and one that shapes human relationships in highly illuminating ways across time and memory. Connect with him on Instagram (@davidbuyze) or at d.buyze@tcu.edu!

Rosalia © Greg Swales
Music, ReviewsApril 25, 2022<April 25, 2022

Rosalía at the Margins: A Review of ‘Motomami’

Tears for Fears © Frank W. Ockenfels
Features, Music, ReviewsMarch 17, 2022<March 17, 2022

Illustrious Youth & Depths of Experience: A Review of Tears for Fears’ ‘The Tipping Point’

Paul Weller (L) & Dave Gahan (R) © 2022
Features, Music, ReviewsJanuary 24, 2022<January 24, 2022

The Late Style of Dave Gahan & Paul Weller: Imprints of Bowie

David Bowie © Andrew Kent
Features, MusicMarch 2, 2021<March 2, 2021

Dreaming of Bowie

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Recent Posts

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  • Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ March 12, 2026
  • Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ March 12, 2026
  • Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline” March 12, 2026
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  • Dolphins on Acid Are Rediscovering the Tried-and-True Path to Success in Their Own Surf-Fueled Way March 10, 2026
  • With ‘Pretour,’ Kim Petras Fights to Share Her Bold New “Pop Sound” March 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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