• Home
  • About
  • Get Involved
  • Contact
  • Pitching Us
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Premieres
  • Columns
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
David Buyze

David Buyze

David is a writer on music and culture for Atwood Magazine. He has a PhD from University of Toronto, and is a professor at several universities including TCU where he teaches courses on David Bowie; British Music & Memoir; and Music, Fashion & Style in the MLA program. He enjoys exploring innovative ways to write on music and culture and review music through the prism of his own experience and as a surveyor of cultural dynamics. David views the transformative power of music as an existential force that transcends cultures, identities, and one that shapes human relationships in highly illuminating ways across time and memory. Connect with him on Instagram (@davidbuyze) or at d.buyze@tcu.edu!

Nina Mučibabić (aka DJ Pink Palindrome) © Tajana Dedić-Starović
Interviews, Music March 20, 2023 March 20, 2023

Interview: DJ Pink Palindrome Amidst the Sarajevo Music Scene

The Cure © Jan-Erik Eriksen 2022
Columns, Features, Music March 2, 2023 March 2, 2023

Living The Cure, Pt. 4

The Cure © Alexander Trienitz, 2022
Columns, Features, Music February 23, 2023 February 23, 2023

Living The Cure, Pt. 3

The Cure © Jan-Erik Eriksen 2022
Columns, Features, Music February 16, 2023 February 16, 2023

Living The Cure, Pt. 2

Ghosts Again - Depeche Mode
Columns, Music, Today's Song February 11, 2023 February 10, 2023

Today’s Song: The Sublime Reveal of Depeche Mode’s Joyfully Melancholic “Ghosts Again”

The Cure © Magali Girardin
Columns, Features, Music February 8, 2023 February 8, 2023

Living The Cure, Pt. 1

"Moonage Daydream" film poster
Film, Music, Reviews October 12, 2022 October 12, 2022

Bowie’s Extraordinary Dream: A Review of the Film ‘Moonage Daydream’

Editors © Rahi Rezvani
Music, Reviews September 23, 2022 September 23, 2022

Potency & Emancipation: The Wonders of Editors’ 7th Album, ‘EBM’

Danna Paola © 2022
Columns, Music, Today's Song September 22, 2022 September 22, 2022

Today’s Song: Danna Paola’s “XT4S1S” and the Ecstatic Ingenuity of Her Global Stage

Editors © Rahi Rezvani
Columns, Music, Today's Song September 1, 2022 September 1, 2022

Today’s Song: The Intense Empowerment of Editors’ “Kiss”

Carla Morrison © Esteban Calderón
Music, Reviews July 1, 2022 July 1, 2022

Carla Morrison Across Borders: A Review of ‘El Renacimiento’

Andy Fletcher
Editorials, Music June 20, 2022 June 20, 2022

In Memoriam: Tribute & Lament for Andy Fletcher, Depeche Mode

Rosalia © Greg Swales
Music, Reviews April 25, 2022 April 25, 2022

Rosalía at the Margins: A Review of ‘Motomami’

Tears for Fears © Frank W. Ockenfels
Features, Music, Reviews March 17, 2022 March 17, 2022

Illustrious Youth & Depths of Experience: A Review of Tears for Fears’ ‘The Tipping Point’

Paul Weller (L) & Dave Gahan (R) © 2022
Features, Music, Reviews January 24, 2022 January 24, 2022

The Late Style of Dave Gahan & Paul Weller: Imprints of Bowie

Posts navigation

1 2

Disclaimer

Atwood Magazine

The postings on this site belong to Atwood Magazine's writers alone and do not reflect the views of any third party.

Recent Posts

  • Premiere: Transviolet Bask in the Light of Life on Euphoric “How Lucky” Off Third LP, ‘BODY’ March 22, 2023
  • “I’ve Dedicated My Life to Fighting the Patriarchy”: An Essay by Nicole Moudaber for Women’s History Month March 22, 2023
  • Premiere: “baby, get your ticket” Is Tarune’s Tender, Soul-Stirring Mantra of Love & Longing March 22, 2023
  • Surrender to the Music and the Call of U2 March 22, 2023
  • Premiere: Woz’s “How I’m Gonna Go” Is a Hauntingly Intimate, Achingly Raw Reckoning in the Dark March 22, 2023
  • Today’s Song: The Japanese House Rewrites History with New Single “Boyhood” March 22, 2023
  • Live Review: LØREN Makes a Mark with First Stateside Performances at SXSW 2023! March 21, 2023
  • Interview: Black Honey’s Izzy Bee Phillips Talks Mental Health, Vulnerability, & New Album ‘A Fistful of Peaches’ March 21, 2023
  • Fun, Feverish, & Freeing: Banji Take a Bite out of Life on Zesty Debut Album ‘Freshcakes’ March 21, 2023
  • Today’s Song: girlhouse’s Lauren Luiz Shares an Intimate Look into Relationships and Proves She’s “worth it” March 21, 2023
© Atwood Magazine 2023 For the Love of Music
Back to top