• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Emily Frances Algar

Emily Frances Algar

Jillian Jacqueline © Virgin Music Group
Features, Interviews, MusicOctober 21, 2025<October 22, 2025

“This album feels like the inside of my heart, my brain, and my soul”: Jillian Jacqueline Creates an Intimate World on ‘MotherDaughterSisterWife’

Thelma & James © Bree Fish
Features, Interviews, MusicOctober 15, 2025<October 16, 2025

“We Are Really Happy People, But Life Is Hard”: Thelma & James Embrace the Melancholy & Messiness on Debut EP ‘Starting Over’

Karley Scott Collins 'Flight Risk' © Matthew Berinato
Debut, Features, Interviews, MusicSeptember 25, 2025<September 26, 2025

“I know exactly who I am and where I want to go”: Karley Scott Collins Brings a New Sound to Nashville With Debut Album ‘Flight Risk’

Barton Hollow - The Civil Wars
Interviews, Music, ReviewsSeptember 3, 2025<September 4, 2025

“The Winding Roads That Led Me Here”: Celebrating The Civil Wars’ Iconic ‘Barton Hollow’

Lera Lynn © Alysse Gafkjen
Features, Interviews, MusicAugust 22, 2025<August 24, 2025

Interview: Lera Lynn Steps into Her Power on ‘Comic Book Cowboy’

Sex Hysteria - Jessie Murph album art 8.7
Music, Our Take, ReviewsJuly 23, 2025<July 23, 2025

Our Take: Jessie Murph Pushes Her Boundaries, and Ours, on Sophomore Album ‘Sex Hysteria’

Bebe Stockwell 'Driving Backwards' © Spruce Bohen
Artist to Watch, Debut, Features, Interviews, MusicJuly 14, 2025<July 14, 2025

“It Started With a Bad Hangover and a Week of Listening to Bob Dylan”: Bebe Stockwell Debuts with ‘Driving Backwards,’ an EP Built on Humor, Heart, & Honesty

Sydney Quiseng © Connor Truax
Debut, Features, Interviews, MusicJuly 3, 2025<July 3, 2025

“The best is yet to come”: Sydney Quiseng on Stepping into Her Own Rhythm with ‘PHASES’

Thelma & James © Bree Marie Fish
Debut, Features, Interviews, MusicJune 23, 2025<June 23, 2025

Interview: Introducing Thelma & James, the Americana Duo Turning Heartache into Harmony & Taking Nashville by Storm

Laci Kaye Booth "George F****** Strait" © Natalie Sakstrup
Columns, Music, Today's SongJune 6, 2025<June 6, 2025

Today’s Song: Laci Kaye Booth Embraces Outlaw Country on “George F****** Strait”

Laci Kaye Booth © Natalie Sakstrup
Debut, Features, Interviews, MusicMay 14, 2025<May 14, 2025

Interview: Falling in Love with Laci Kaye Booth

Madison Hughes © Libby Danforth
Debut, Features, Interviews, MusicApril 14, 2025<April 15, 2025

Feature: Nashville’s Madison Hughes Gives Her Everything on ‘All That I Am’

Jill Andrews © 2025
Features, Interviews, MusicMarch 25, 2025<March 25, 2025

Interview: Jill Andrews Confronts the Darkness Head-On With ‘Big Feelings’

Caylee Hammack © Alexa King Stone
Features, Interviews, MusicMarch 7, 2025<March 7, 2025

Interview: Caylee Hammack Tends to Her Heart on ‘Bed of Roses’

Kameron Marlowe © Ben Dartnell
Features, Interviews, MusicFebruary 24, 2025<February 24, 2025

Interview: Country Singer Kameron Marlowe Follows the Muse on ’Sad Songs for the Soul’

Posts pagination
1 2 3 4

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services