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Emily Frances Algar

Emily Frances Algar

Walking Wounded - Jill Andrews
Music, PremieresFebruary 4, 2021<February 3, 2021

Premiere: Jill Andrews Takes Us on a Journey Through the Dark with Her New Song “Walking Wounded”

Lenachka © 2021
Interviews, MusicFebruary 2, 2021<February 2, 2021

“It’s something I did not want, but it is what I needed”: Love & Loss in the Time of Pandemic with Lenachka

Taylor Swift 'evermore' © Beth Garrabrant
Essays, MusicJanuary 12, 2021<March 2, 2025

Flipping the Switch: Will Taylor Swift’s Battle for Her Master Recordings Change the Music Industry for the Better?

On My Own - Lera Lynn © Alysse Gafkjen 8
Music, Our Take, ReviewsDecember 22, 2020<December 21, 2020

Our Take: Lera Lynn Settles into Herself in ‘On My Own’ & Finds Forgiveness In-Between the Bars

honey ep - Artemis Orion
Debut, Music, PremieresNovember 20, 2020<November 20, 2020

Premiere: Artemis Orion’s Dark, Dreamy & Escapist Debut EP ‘Honey’

All Too Well - Taylor Swift
Columns, Music, Nostalgia TracksOctober 29, 2020<October 28, 2020

Nostalgia Tracks: Reflections on Taylor Swift’s “All Too Well,” Then and Now

FLETCHER © The S(ex) Tapes
Features, Music, Reviews, Track-by-TrackOctober 5, 2020<May 29, 2024

Feature: FLETCHER’s ‘The S(ex) Tapes’ and the Seven Stages of Grief

Features, Interviews, MusicSeptember 23, 2020<March 2, 2025

Where We All Go to Dance: Community, Connection, & Music with Saxophonist Jess Gillam

Posts pagination
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Recent Posts

  • “Elemental, Subliminal, Gazebo”: Eugene McGuinness Comes Alive on ‘Eugene McGuinness Versus the Universe,’ a Radiant Reawakening Through Song April 22, 2026
  • “For One Night Only, Bring Them to Italy”: A Conversation with Il Volo April 22, 2026
  • “Eat Your Heart Out”: A Vivisection of SKORTS’ Unrelenting Debut Album ‘Incompletement’ April 22, 2026
  • “Why Can’t You See What I See?”: Ross Newhouse Lays Bare Self-Doubt & Love on “Words I’d Use,” a Lush Indie Folk Duet with Grace Gardner April 22, 2026
  • “It Can Only Be So Wrong for So Long”: Nora Kelly Band Channel Heartbreak into “Irish Goodbye,” a Swaggering Alt-Country Anthem of Hard-Won Freedom April 21, 2026
  • “Didn’t Capture the Night”: sundayclub Blur the Line Between Living & Remembering on “Camera Shy,” a Dreamy Indie Pop Rush of Memory & Modern Self-Awareness April 21, 2026
  • “Purpose. Momentum. Movement. Freedom”: LIFE Charge Forward on “The Dollywaggon,” a Feverish Post-Punk Leap into the Unknown April 20, 2026
  • Stories to Tell Your Grandkids: moondoggy’s Third Album ‘Around the Fire’ is a Book of Learned Lessons Waiting to Be Told April 20, 2026
  • The Sound of Stillness: Samara Joy in Palo Alto April 20, 2026
  • Big Feelings, Small Rooms: Sophie May on Making Her Soul-Stirring Debut Album, ‘Stars and Teeth’ April 20, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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