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Emily Frances Algar

Emily Frances Algar

Walking Wounded - Jill Andrews
Music, PremieresFebruary 4, 2021<February 3, 2021

Premiere: Jill Andrews Takes Us on a Journey Through the Dark with Her New Song “Walking Wounded”

Lenachka © 2021
Interviews, MusicFebruary 2, 2021<February 2, 2021

“It’s something I did not want, but it is what I needed”: Love & Loss in the Time of Pandemic with Lenachka

Taylor Swift 'evermore' © Beth Garrabrant
Essays, MusicJanuary 12, 2021<March 2, 2025

Flipping the Switch: Will Taylor Swift’s Battle for Her Master Recordings Change the Music Industry for the Better?

On My Own - Lera Lynn © Alysse Gafkjen 8
Music, Our Take, ReviewsDecember 22, 2020<December 21, 2020

Our Take: Lera Lynn Settles into Herself in ‘On My Own’ & Finds Forgiveness In-Between the Bars

honey ep - Artemis Orion
Debut, Music, PremieresNovember 20, 2020<November 20, 2020

Premiere: Artemis Orion’s Dark, Dreamy & Escapist Debut EP ‘Honey’

All Too Well - Taylor Swift
Columns, Music, Nostalgia TracksOctober 29, 2020<October 28, 2020

Nostalgia Tracks: Reflections on Taylor Swift’s “All Too Well,” Then and Now

FLETCHER © The S(ex) Tapes
Features, Music, Reviews, Track-by-TrackOctober 5, 2020<May 29, 2024

Feature: FLETCHER’s ‘The S(ex) Tapes’ and the Seven Stages of Grief

Features, Interviews, MusicSeptember 23, 2020<March 2, 2025

Where We All Go to Dance: Community, Connection, & Music with Saxophonist Jess Gillam

Posts pagination
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Recent Posts

  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
  • A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers May 11, 2026
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  • New Music Releases
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