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Hannah Burns

Hannah Burns

Hannah Burns, originally from Charleston, SC, received her MFA in Fiction from The New School. Her writing can be found in Atwood Magazine, The Crawfish, Public Seminar, Platform Review, KGB Lit, and The Brooklyn Rail. She lives in Brooklyn and works for The Urbane Arts Club.

Sarah Katherine Lawless and Ava McCoy © 2025
Columns, Music, Today's SongSeptember 12, 2025<September 3, 2025

Today’s Song: Sarah Katherine Lawless Celebrates Late Summer in “make it make sense” (stripped) ft. Ava McCoy

Daphne Gale © 2025
Music, ReviewsJuly 29, 2025<July 29, 2025

Lionhearted: ‘NIL SATIS’ and Daphne Gale’s Evolution

Kid Lake © Neil Shukla
Concerts, Music, ReviewsSeptember 25, 2024<September 25, 2024

Live Review: The Spirit Appears at the Kid Lake Show in Ridgewood, Queens

The Greeting Committee © Tyler Krippaehne
Concerts, Music, ReviewsAugust 20, 2024<August 20, 2024

Live Review: Celebrating Everything Old & New at The Greeting Committee Concert

Sofia Wolfson 'Imposing on a Hometown'
Concerts, Debut, Music, ReviewsJuly 30, 2024<July 30, 2024

Live Review: Sofia Wolfson Brings Her Intimate & Stirring Debut LP ‘Imposing on a Hometown’ to Life in New York City

Chappell Roan at Boston Calling 2024 © Alive Coverage
Concerts, Festival, Music, ReviewsJune 6, 2024<June 6, 2024

Full Service: Boston Called, and Chappell Roan Picked Up the Phone

Katy Kirby © Tonje Thilesen
Concerts, Music, ReviewsMarch 29, 2024<March 29, 2024

Live: Katy Kirby’s Bittersweet Blue Raspberry Show at Bowery Ballroom, NYC

Columns, Music, Today's SongMarch 24, 2024<March 15, 2024

Today’s Song: Nashville’s Carlyle Griffin Finds a Breakthrough in Soulful “Sweet Fool”

Danielle Durack © Eunice Beck
Features, Interviews, MusicFebruary 13, 2024<February 16, 2024

Time and Space: The Process & Perspective Behind Danielle Durack’s ‘Escape Artist’

Declan McKenna © Henry Pearce
Columns, Music, Today's SongJanuary 14, 2024<January 13, 2024

Today’s Song: Declan McKenna’s Timeless Cover of ABBA’s “Slipping Through My Fingers”

Hovvdy "Bubba" © Adam Alonzo
Columns, Music, Today's SongJanuary 7, 2024<January 13, 2024

Today’s Song: Restraint and Release in Hovvdy’s “Bubba”

Slow Pulp © Alexa Viscius
Columns, Music, Today's SongNovember 5, 2023<January 13, 2024

Today’s Song: Punk Pining and Feminine Rage in Slow Pulp’s “Cramps”

Recent Posts

  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
  • “So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol” December 2, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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