• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Heleen Weber

Heleen Weber

Heleen Weber is a media management student based in Cologne, Germany. If she’s not at university, you might find her traveling across Europe chasing gigs and sweaty dance floors, where she’s seen music change lives – her own included. Otherwise, she’s likely practicing her latte art, shooting on film, or adding to a Notes app entry titled “album reviews,” now so large it has a habit of crashing her phone.

Pleasure Systems 'Leave It in the Sand' © Eve Alpert 7.9
Music, Our Take, ReviewsJune 15, 2026<June 15, 2026

Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’

Fred again.. and Jamie T "Lights Burn Dimmer" © Theo Batterham
Columns, Music, Today's SongJune 7, 2026<June 7, 2026

“There’s a Lot of Hope in This Lyric”: Fred again.. and Jamie T Reframe Darkness into Light on “Lights Burn Dimmer”

Harry Styles © Johnny Dufort
Columns, Music, Today's SongApril 7, 2026<April 6, 2026

“It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”

Recent Posts

  • Emma Ruth Rundle Explores the Space Between Hope and Desperation on ‘These Killing Times’ September 18, 2026
  • Editor’s Picks 167: Medium Build, Heathers, Spanish Love Songs, Carrie Okay, INOHA, & Celia Grace! September 11, 2026
  • Magnus Ferrell Wants to Fill the Void: The Making of “Asleep Talking” September 11, 2026
  • “Must I Just Brace the Bruise?”: London’s Tooth Crash into Adulthood on Feverish Debut Single “The Age of Innocence” September 10, 2026
  • “Fools Love Better Than Anyone”: Paris Paloma’s Fatal Flaw Might Be Her Greatest Strength September 10, 2026
  • Live Review: Arlo Parks Urges Us to Dance Through It All, While Never Forgetting the Tenderness Underneath September 9, 2026
  • Lucifena Refused to Give Up on Music. Years Later, Lil Wayne Made Her Young Money’s First Female Rock Artist September 9, 2026
  • “Take a Side Quest”: Same Same But Different Makes Musical Discovery Part of the Adventure September 9, 2026
  • “I Like People Who Don’t Play by the Rules”: Weird Nightmare’s Alex Edkins Hits a New Power-Pop High on ‘Hoopla,’ a Bright About-Face After Two Decades of METZ’s Joyous Cacophony September 9, 2026
  • “I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption September 8, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services