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Heleen Weber

Heleen Weber

Heleen Weber is a media management student based in Cologne, Germany. If she’s not at university, you might find her traveling across Europe chasing gigs and sweaty dance floors, where she’s seen music change lives – her own included. Otherwise, she’s likely practicing her latte art, shooting on film, or adding to a Notes app entry titled “album reviews,” now so large it has a habit of crashing her phone.

Turnstile © Trevor Roberts 9
Music, ReviewsOctober 14, 2026<October 14, 2026

Our Take: Turnstile Push the Boundaries of the Remix Album on ‘NEVER ENOUGH: VERSIONS’

Pleasure Systems 'Leave It in the Sand' © Eve Alpert 7.9
Music, Our Take, ReviewsJune 15, 2026<June 15, 2026

Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’

Fred again.. and Jamie T "Lights Burn Dimmer" © Theo Batterham
Columns, Music, Today's SongJune 7, 2026<June 7, 2026

“There’s a Lot of Hope in This Lyric”: Fred again.. and Jamie T Reframe Darkness into Light on “Lights Burn Dimmer”

Harry Styles © Johnny Dufort
Columns, Music, Today's SongApril 7, 2026<April 6, 2026

“It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”

Recent Posts

  • “I’m Sick of Everything Evil”: Montreal’s Elephant Stone Search for Hope Amid Grief & Political Turmoil on ‘ASHA,’ a Soul-Stirring Psychedelic Reckoning October 28, 2026
  • “You Don’t Have to Take This Crap”: Why The Style Council’s ‘Our Favourite Shop’ Is the Best Political Album of All Time October 28, 2026
  • “Tell Someone You Love Them”: Lucia & The Best Boys Revel in Big Romance and the Beautiful Audacity of Feeling Everything on ‘Picking Petals’ October 28, 2026
  • Playing “The Man”: Irony, Intimacy, and Inequity in Anoushka Lucas’s Music October 27, 2026
  • Meet Olivia Barnes and Her Instinct for a Great Song October 27, 2026
  • Live Review: Tokyo Tea Room Bring the Most Relaxing Concert to New York City’s Bowery Ballroom October 27, 2026
  • The Kimpton Everly, Pizza Boxes, and the Music That Shapes Our Vacations October 27, 2026
  • Feature: Nicotine Dolls Unleash Sex, Destruction, & Rock ’n’ Roll on Their Self-Titled Sophomore Record October 27, 2026
  • Relishing in the Process: The Making of Avery Friedman’s “You Move” October 27, 2026
  • Premiere: Masahiro Okamura Finds Beauty in the Uncertainty of Being Alive on “A Wonderful World of Death” October 22, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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