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Heleen Weber

Heleen Weber

Heleen Weber is a media management student based in Cologne, Germany. If she’s not at university, you might find her traveling across Europe chasing gigs and sweaty dance floors, where she’s seen music change lives – her own included. Otherwise, she’s likely practicing her latte art, shooting on film, or adding to a Notes app entry titled “album reviews,” now so large it has a habit of crashing her phone.

Pleasure Systems 'Leave It in the Sand' © Eve Alpert 7.9
Music, Our Take, ReviewsJune 15, 2026<June 15, 2026

Our Take: Pleasure Systems Returns More Hopeful Than Ever with Sophomore Album ‘Leave It in the Sand’

Fred again.. and Jamie T "Lights Burn Dimmer" © Theo Batterham
Columns, Music, Today's SongJune 7, 2026<June 7, 2026

“There’s a Lot of Hope in This Lyric”: Fred again.. and Jamie T Reframe Darkness into Light on “Lights Burn Dimmer”

Harry Styles © Johnny Dufort
Columns, Music, Today's SongApril 7, 2026<April 6, 2026

“It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song”

Recent Posts

  • “Falling Off of Pedestals Is Hard”: Rowena Wise Explores the Weight of Expectation on “Diamond in the Rough” August 7, 2026
  • Our Take: Dublin’s Really Good Time Balance Inner Peace Against the Chaos of a Society in Crisis on Debut Album ‘Affirmations’ August 7, 2026
  • Our Take: Ariana Grande Shares Feral Thoughts with Fans & Flames on Eighth Album, ‘Petal’ August 7, 2026
  • Editor’s Picks 162: Grace Inspace, lucky break, Josaleigh Pollett, Mal Not Bad, Isaac Neilson, & Sybil Creek! August 6, 2026
  • “Creative, Not Destructive”: Cheekface Answer the Cruelty of Trump 2 with Humor, Self-Scrutiny, & Solidarity on ‘Podium’ August 6, 2026
  • “Sing It With Me, My Love”: Alex Izenberg Finds New Light on “Old Gold,” a Sunlit Song of Memory, Wonder, & Music’s Restorative Glow August 6, 2026
  • “I Know You’re Performing”: Charli xcx Explores How the Artist Is Seen in ‘Music, Fashion, Film’ August 6, 2026
  • “Funhouse Mirror Rock”: Theophobia Restore Possibility to Rock with Their Gleefully Theatrical Self-Titled Debut August 5, 2026
  • “Caught Somewhere Between Numbness and Clarity”: Larlin Capture the Dreamlike Drift of Chronic Dissociation on “Sondheim,” an Intoxicating Alt-Rock Exorcism August 5, 2026
  • “The World Often Feels Loud Enough Already”: Brighton’s Memorial Find Power in Softness on ‘Jera,’ a Breathtakingly Beautiful Alt-Folk Triumph August 5, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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