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Jaclyn Kelly

Jaclyn Kelly

Jaclyn is a client success professional based in Norway with a passion for finding new music, fantasy books, and freelance writing. In media, Jaclyn worked on the board at KAMP Student Radio and was a two time recipient of the Award of Excellence in Broadcast Professionalism and Leadership from Arizona Student Media. From Korean R&B to indie folk to classic 60s rock, Jaclyn loves to explore how music connects people to the world around them and see how it changes lives for the better. At Atwood, her goal is to help readers discover their next “can’t-skip-on-the-playlist” artist.

Jenny Owen Youngs © Josh Goleman
Features, Interviews, MusicApril 10, 2024<April 10, 2024

Interview: Hopeful & Full of Light, Jenny Owen Youngs Reflects on Her New Album ‘Avalanche’

Sara Fjeldvær © Sigrid Erdal
Features, Interviews, MusicMarch 12, 2024<March 12, 2024

Interview: Bright and Full of Inner Reflection, Sara Fjeldvær Lights a New Path on Sophomore Album ‘Stars’

Hannah Diamond, self-portrait © Carina Kehlet Schou
Columns, Music, Today's SongDecember 9, 2023<December 9, 2023

Today’s Song: Hannah Diamond Shimmers on Her Nostalgia-Soaked “Perfect Picture”

Recent Posts

  • “One More Little Life Is Starting to Bloom”: Ruti Basks in Love’s Glow on the Sun-Soaked, Summery “FLOWERS” July 24, 2026
  • “There Are These Treasures Inside My Songs”: Candice Hoyes on Preserving Black Stories Through Music and the Living Archive of Her Debut Solo Album, ‘Expecting’ July 24, 2026
  • Atwood Magazine’s Weekly Roundup: July 24, 2026 July 24, 2026
  • Editor’s Picks 161: Hollow Hand, Noonzy, Nautics, Maggie Miles, Closebye, & Flowers for the Dead! July 23, 2026
  • “The Fear and Joy of Being Seen”: Oberlin Folk Duo Frontlawn Hold Love and Loss Close on Debut Singles “Jenny Says” and “Commack” July 23, 2026
  • “I Don’t Wanna Just Be Your Girl”: Jupiter Winter Seizes Her Moment on “Golden Boy,” a Dreamy Indie Pop Reclamation of Ambition July 23, 2026
  • “I’m Writing This for Me“: Lukas Graham Returns to His Familial Roots With ‘Good Times,’ a Soulful Embrace of Slowing Down and Being Present July 23, 2026
  • “It’s a Shallow World but I’m a Big Girl Now”: Chess Smith Turns Betrayal into a Pure Pop Celebration on “I’m Dead To You (And That’s OK)” July 23, 2026
  • “Last Year Is Still All Over Me”: Soft Loft Reckon With Old Ghosts, Bad Timing, and the Gamble of Growing Up Through Restless, Radiant Indie Pop July 22, 2026
  • “It Seems Too Personal When We’re Not Friends”: Brooke Annibale’s Achingly Sweet “Birthday” Captures the Awkward Afterlife of Friendship July 22, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
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  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
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  • Contact
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