• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
James Crowley

James Crowley

James is a New York-based writer and comedian. His writing has appeared in Newsweek and Hollywood Life. He also publishes the newsletter Doom & Groove. He is the co-producer of the comedy variety show Ugly Flamingos, and he is planning to release his debut comedy special soon.

Manifest - Brett Gleason
Music, Our Take, ReviewsApril 14, 2017<April 14, 2017

Our Take: Brett Gleason Creates a Comfortable Album with ‘Manifest’

Diet Cig © Shervin Lainez
Columns, Music, Today's SongApril 5, 2017<April 5, 2017

Today’s Song: Diet Cig Throws a Pity Party on “Barf Day”

Wax Idols © Danielle Spires
Features, Interviews, MusicMarch 28, 2017<March 28, 2017

From American Tragic to Happy Endings: A Conversation with Wax Idols

Japandroids © Leigh Righton
Columns, Music, Today's SongMarch 13, 2017<March 13, 2017

Today’s Song: Japandroids Seek Nostalgia and Find Comfort on “No Known Drink or Drug”

Expiration Date - Brett Gleason single cover
Features, Music, PremieresFebruary 3, 2017<February 3, 2017

Exclusive Premiere: “Expiration Date,” Brett Gleason’s Funeral Dirge for Lost Love

The Captain's Son © 2017
Columns, Debut, Music, Today's SongFebruary 1, 2017<January 24, 2017

Today’s Song: The Captain’s Son’s “Walking Around Purposely” is the Hangover You Want to Have

Joyce Manor © 2016
Columns, Music, Today's SongDecember 20, 2016<December 20, 2016

Today’s Song: Joyce Manor’s Depressing Epiphany “Reversing Machine”

Posts pagination
1 … 9 10 11

Recent Posts

  • Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist March 16, 2026
  • “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem March 16, 2026
  • “Hold My Arms, Pin Me Down”: MARIS Unleashes a Sweaty, Smoldering Pop Fever Dream on “Body Is on Fire” March 15, 2026
  • “Silence Can Become Its Own Kind of Statement”: J.MYSTERY on Finding the Courage to Speak Through “Change” March 14, 2026
  • “There’s No Gold at the Top”: The Format on Reuniting and Making ‘Boycott Heaven,’ a Raw Reckoning with Our Fractured World March 13, 2026
  • “You Have to Trust There Will Be a Light”: Tessa Rose Jackson Finds Clarity in ‘The Lighthouse’ March 13, 2026
  • “When the Song Becomes Bigger Than the Artist”: An Essay by Mia Martina for Women’s History Month March 13, 2026
  • ‘Kiss All The Time. Disco, Occasionally.’ Is Harry Styles’ Most Confident Album Yet March 13, 2026
  • “I’m a Canvas of the Place I’m In”: Hayden Everett Lets the Rain in on “Angela,” a Bittersweet Letter to Los Angeles March 13, 2026
  • Living ‘The Dream’ with The Favors: Ashe on Forming a Band with FINNEAS and Rediscovering the Joy of Making Music March 12, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services