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James Crowley

James Crowley

James is a New York-based writer and comedian. His writing has appeared in Newsweek and Hollywood Life. He also publishes the newsletter Doom & Groove. He is the co-producer of the comedy variety show Ugly Flamingos, and he is planning to release his debut comedy special soon.

POST- Jeff Rosenstock art
Features, Music, ReviewsJanuary 16, 2018<January 16, 2018

Review: Jeff Rosenstock Returns to Straightforward Punk Roots on POST-

Jeff Rosenstock 2017 live in NYC
Columns, Concert Conversations, Music, ReviewsJanuary 12, 2018<January 12, 2018

LIVE: Jeff Rosenstock Brings the Dread and Love of Worry to Brooklyn

New York - St Vincent
Columns, Music, Today's SongJanuary 11, 2018<January 11, 2018

Today’s Song: Intimacy and Frustration in St. Vincent’s “New York”

The Hold Steady © Rich Tarbell
Columns, Music, Today's SongJanuary 8, 2018<January 8, 2018

Today’s Song: The Hold Steady Capture the Nostalgia of Partying with Old Friends on “Entitlement Crew”

Tara Beier © 2017
Music, PremieresDecember 14, 2017<December 14, 2017

Premiere: Tara Beier is Liberated with “Forgiveness”

The Opener - Camp Cope
Columns, Music, Today's SongNovember 28, 2017<November 28, 2017

Today’s Song: Camp Cope Expose the Closeted Misogyny of the Punk Scene in “The Opener”

Gayle Skidmore © 2017
Music, Music Videos, PremieresNovember 16, 2017<November 16, 2017

Premiere: Gayle Skidmore’s “Pale Ghosts” World Fully Encompasses You

Irrevery © 2017
Debut, Music, PremieresNovember 9, 2017<November 9, 2017

Premiere: Irrevery’s In-Your-Face, Cartoonish Debut “Desert Song”

Natti Vogel © Haley Varacallo
Music, PremieresNovember 1, 2017<November 1, 2017

Premiere: Natti Vogel Rallies Against Loveless Relationships in “I Don’t Wanna Find the One”

Jim Andralis & The Syntonics © 2017
Music, PremieresOctober 18, 2017<April 16, 2020

Premiere: Jim Andralis & The Syntonics Bring Hope to the Hopeless on “Don’t Blame New York”

Listener © Kevin Scullion
Music, PremieresOctober 10, 2017<October 10, 2017

Premiere: Listener Marry Poetry and Post-Hardcore with “Shock and Value”

Music, Reviews, This Just InSeptember 29, 2017<September 29, 2017

The World Is A Beautiful Place & I Am No Longer Afraid To Die Recall the Past and Call for Action in the Future on ‘Always Foreign’

Music, Music Videos, PremieresSeptember 21, 2017<September 22, 2017

Premiere: Todd Kessler Brings All of Autumn’s Melancholy on “The Letter”

Interviews, MusicSeptember 19, 2017<September 19, 2017

Unconscious Stream-of-Consciousness: A Conversation with Lina Tullgren

Modern Crowds album art 2017
Debut, Features, Music, Premieres, ReviewsJuly 27, 2017<July 27, 2017

Album Premiere: Modern Crowds’ Debut Fits a Lifetime into Late Summer

Posts pagination
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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