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James Meadows

James Meadows

Julien Baker Red Door
Music, ReviewsJune 26, 2019<June 26, 2019

Review: Julien Baker’s Modern Gospel in “Red Door / Conversation Piece”

Sticky Fingers - Yours to Keep Album Art
ReviewsFebruary 27, 2019<February 28, 2019

Review: Sticky Fingers Pull Back the Veil in ‘Yours to Keep’

The Britanys © Aysia Marotta
Features, Interviews, Mixtape, MusicDecember 12, 2018<December 12, 2018

Experimentation, Technology, and Interactive Album Art: A Conversation with The Britanys

Unknown Mortal Orchestra © Neil Krug
Columns, Music, Today's SongJuly 13, 2018<July 16, 2018

Today’s Song: The Honey-Glazed Ode of Unknown Mortal Orchestra’s “Hunnybee”

Luca Brasi © Kane Hibberd
Music, ReviewsJune 27, 2018<June 27, 2018

Review: Accepting Loss & Bittersweet Memories in Luca Brasi’s ‘Stay’

Hobo Johnson & The LoveMakers
Essays, MusicApril 17, 2018<April 17, 2018

The Art of Manic Poetry: Hobo Johnson & The LoveMakers

Mica Tenenbaum of Magdalena Bay © Nicole Almeida
Debut, Features, Interviews, MusicMarch 15, 2018<December 21, 2024

Talking Retro Pop and Vintage Film: A Conversation with Magdalena Bay

Hockey Dad © Joseph Crackett
Music, Our Take, ReviewsFebruary 26, 2018<February 26, 2018

Our Take: The Pain of Nostalgia and Fame on Hockey Dad’s ‘Blend Inn’

Saturation III - BROCKHAMPTON
Music, Our Take, ReviewsJanuary 5, 2018<February 20, 2018

Our Take: BROCKHAMPTON’s ‘Saturation III’ Refines Their All-Caps Ethos of DIY Creativity

Daniel Caesar © 2016
Columns, Music, Today's SongDecember 6, 2017<September 20, 2023

Today’s Song: Lost Love & Sadness in Daniel Caesar’s “Japanese Denim”

Recent Posts

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
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  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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